Adam Rapp Quotes
Film directing has perfected my theater directing. I think when I first started directing, a lot of my stuff was very lateral; I was afraid to have the actors' backs turned away, afraid to put them too far upstage, and I think once I did more things with film, I got more interested in composition.
Quotes to Explore
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As I grew older, I actually was prepared to go into fine arts school and do a degree. That was what I was actually settled upon when I was offered a record deal.
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I've always been a huge reggae fan.
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This experience has also humbled me by giving me a true understanding of what millions of others face each day in their own fight against cancer.
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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I was shy when I was a kid, I was very shy, but now I think I've improved a lot. I can speak OK with the media and with the people. My English is still bad but I feel a little bit better now than before.
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When people recognize your work and want to reward you for what you've done, that's a good feeling.
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What do we want our kids to do? Sweep up around Japanese computers?
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I've been wanting kids for 10 years. I'd love to adopt, have them naturally - all of it. I want, like, 15.
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Infants have around 30,000 tastebuds, only about a third of which survive into adulthood, so a child's sensitivity towards extremes of sweet, sour and bitter flavours is heightened.
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It's the moms who are overaggressive. A lot of times their daughters are very sweet and cordial, and the moms tend to grab you and scream and want to kiss you. You gotta watch out for the moms.
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I understand the importance of bondage between parent and child.
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I used to really want to go on the stage and then the last couple of years I've done some presenting at some award shows. I was so nervous I thought I was going to be sick, so I don't think me on stage for any length of time would work too well.
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People follow me because I am just a normal person, and they can relate to me.
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We are witnessing a great awakening. Millions of Texans, millions of Americans are rising up to reclaim our country, to defend liberty and to restore the Constitution.
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Why did she have to wake up this morning? Or ever! But especially this morning. Her stare took on a glint of panic. Then she thought: Oh! This is my wedding day!
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'I cannot raise my worth too high;Of what vast consequence am I!''Not of the importance you suppose,'Replies a Flea upon his nose;'Be humble, learn thyself to scan;Know, pride was never made for man.'
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When we intended to enjoy being cruel, we must transform our victim into either a beast or a god.
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Are fleets and armies necessary to a work of love and reconciliation? Have we shown ourselves so unwilling to be reconciled that force must be called in to win back our love? Let us not deceive ourselves, sir. These are the implements of war and subjugation; the last arguments to which kings resort.
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The thing that surprised me the most is just how much money women that weren't rich were paying for their hair. When you're in a beauty parlor in Harlem next to abandoned buildings and somebody's paying five grand for a weave, that's a bit much.
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I grew up watching period dramas, as we all did in the 1980s and '90s - endless adaptations of Jane Austen and Charles Dickens - and I loved them. But I never saw anyone like me in them, so I decided to find a story to erode the excuses for me not doing one.
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I was always a little skeptical of how voters would react to my name.
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Certainly each side - the 'absolutists' and the 'constructivists' or 'humanists', as I've labelled them - accuses the other of hubris, and lays claim to humility. I see hubris on both sides: a pretence that we could ascend to an objective account of the world, on the one hand, and a pretence that we have the resources to live and act without a sense of there being something to which we answerable, on the other. So both sides are 'villains'.
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Film directing has perfected my theater directing. I think when I first started directing, a lot of my stuff was very lateral; I was afraid to have the actors' backs turned away, afraid to put them too far upstage, and I think once I did more things with film, I got more interested in composition.
