Marguerite Duras Quotes
I see journalists as the manual workers, the laborers of the word. Journalism can only be literature when it is passionate.
Quotes to Explore
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I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.
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Help the man-in-the-street make sense of the bewildering.
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You really don't get paid in these independent movies, no matter how many people see them.
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My Alma mater was books, a good library... I could spend the rest of my life reading, just satisfying my curiosity.
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Here's my rule: You always want to pay cash for your own books, because if they look at the name on the credit card and then they look at the name on the book jacket, then there's this look of such profound sympathy for you that you had to resort to this. It really is withering.
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I played small forward on the basketball team. I also ran the 300 hurdles.
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Hip-hop is making a lot of noise. It should get some more spotlight.
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The train's always full of football fans going up to see matches. Oh, they make sure I hear their points of view all right. They all want to have their say about their team, and make their opinions known.
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You make knowledge relevant to life and you make it important for children to learn things that will really relate to things going on in their lives, and not abstract.
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I just want to continue with gymnastics because I'm still young and fresh. I think can get some more titles under my belt.
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The great thing about Gospel is that you don't have to have an album every year in order to keep working.
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I run a fast pace on my sets, man. I like the energy of the scene to be the energy on the set. I think it affects the actors, and I think it affects the crew. There's that sensation like you're really shooting it for real, like in a documentary.
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I know what poverty is.
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People like to hear me say, 'You love me, Chandler Bing. You just don't know you love me.'
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One of the ugly secrets of the renewable-energy industry is that its products make no economic sense unless they are highly subsidized.
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I never really do much research before signing a film. It is just the script and character that I concentrate on.
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Loss of hope rather than loss of life is what decides the issues of war. But helplessness induces hopelessness.
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Doing representations of real people is not my strongpoint as a visual artist, and I know that.
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One problem I have with drug companies is that they don't make all their data public.
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What were once felt to be defects-isolation, institutional simplicity, primitiveness of manners, multiplicity of religions, weaknesses in the authority of the state-could now be seen as virtues, not only by Americans themselves but by enlightened spokesmen of reform, renewal and hope wherever they may be-in London coffeehouses, in Parisian salons, in the courts of German princes.
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Honesty and loyalty are key. If two people can be honest with each other about everything, that's probably the biggest key to success.
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As men get older, the toys get more expensive.
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The most common mistake students of literature make is to go straight for what the poem or novel says, setting aside the way that it says it. To read like this is to set aside the ‘literariness’ of the work – the fact that it is a poem or play or novel, rather than an account of the incidence of soil erosion in Nebraska.
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I see journalists as the manual workers, the laborers of the word. Journalism can only be literature when it is passionate.
