Maria Semple Quotes
My favorite kind of book is a domestic drama that's grounded in reality yet slightly unhinged.
Quotes to Explore
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The more I compose, the more I know that I don't know it all. I think it's a good way to start. If you think you know it all, the work becomes a repetition of what you've already done. I try to make sure that I don't repeat my music.
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I feel like we all have our skeletons.
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When I was in high school, I was really into string theory and superstring theory and read 'Scientific American.' It's fascinating.
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I believe it is universally understood and acknowledged that all men will ever act correctly, unless they have a motive to do otherwise.
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I don't want people to know what I'm actually like. It's not good for an actor.
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In 2007, everything changed with the iPhone. As crippled as that first model now seems, with its lack of apps and glacial cellular connectivity, the iPhone was a practical, useful, self-contained computer a child could understand. It was an information appliance.
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I would like to do a duet with Taylor Hanson, because I have loved Hanson since I was 8.
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I never ask a man what his business is, for it never interests me. What I ask him about are his thoughts and dreams.
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My original idea was to produce and not make records myself.
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Do not despise the fish because they are absolutely unable to speak or to reason, but fear lest you may be even more unreasonable than they by resisting the command of the Creator. Listen to the fish, who through their actions all but utter this word: 'We set out on this long journey for the perpetuation of our species.'
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I see many black males grasping for some thread of hope. There are so many destructive practices, glimpses into a psychic abyss. That must be very frightening.
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I think there's plenty of evidence that we need to stop spewing so much carbon into the air, that we're contributing to climate change and that we ought to look for alternatives.
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I sort of understood that when I first started: that you shouldn't repeat a success. Very often you're going to, and maybe the first time you do, it works. And you love it. But then you're trapped.
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I had all these tapes in my closet that I had shot years ago with my friend Jean-Michel Basquiat. I was working on a film about him when he died, and then I just put everything away. It was too sad.
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It's pure Black Label. It's about violence and booze. That's all it is. There is no plan.
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There are no silos at 'Frontline.' Our digital team works with our filmmakers, and our filmmakers work with our digital team. They're always in touch, and they're always talking.
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We're in a world that celebrates things: success, beauty, money. And I reckon that's really about 4 per cent of the world. The rest of us are just getting on with it.
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I'm known as a kind of dramatic, serious, almost humorless actor and the fact is, I'm a funny guy, and I spend most of my life trying to find a lighter side of things, and on stage was given plenty of opportunity to do that.
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I don't want them to take my money, either. That's just like taking it and burning it.
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I urge younger artists to know that you don't have to be anything you don't want. You can do whatever's comfortable for you. From the music I make, to the things I do in my life, I'm true to my R&B core. I have the capability to make pop records and crossover, but that's not my aim.
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Depending on what your interest in theater is, I always recommend working on plays. It's a great way to be introduced to the field, and also a great way to be seen by agents and representation. I'm also a great advocate for studying acting at a drama school or a college.
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I regard myself as a beautiful musical instrument, and my role is to contribute that instrument to scripts worthy of it.
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Some movies work really well with music from Bach or Mahler that existed long before the film, so music has its own autonomy.
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My favorite kind of book is a domestic drama that's grounded in reality yet slightly unhinged.
