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I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
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When you're me, when you're R. Kelly, everybody wants a piece of you, and if you don't give 'em a piece they'll find a way to get a piece of you one way or the other.
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When you hear romantic music, it makes you want to take your girl out to dinner or buy her something or take her out in the moonlight or take her on a walk.
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When you commit to something and have fun with it, it appreciates you, the gift, and it starts to help you out.
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I'm in love with music, and I'm pregnant by it. It's like having twins. Or triplets. Or eight-lets!
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Downstairs in my house, I have a museum room. I keep all of my awards down there, and childhood photos, and even all the clothes I've worn on tour, in videos and on album covers.
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I started to wear the sunglasses all the time at school, hiding behind them... I'd walk down the hallways, practically hugging the wall, dragging my head against it like I was crazy.
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'Trapped In The Closet' lives in a place on the earth on its own. It pays its own rent, it's its own landlord, it owns the building, it's everything. And it's so separate from what R. Kelly does; that's the great thing about it.
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I've really been writing a lot of country songs. I used to get criticized for doing a 'Bump & Grind,' then turning around and doing a gospel song. But the truth is I'm glad I have a gift that allows me to switch lanes.
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I've called myself the Pied Piper, I've called myself the Weatherman, I've called myself Kellz, I've called myself a lot of things, changing the name, switching it up, just flipping, remixing. But never to harm anybody. Never to make a deep statement for people to dig into and figure it out.
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I started calling myself the Pied Piper, when I started using the flute sound in my music.
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R. Kelly is a thing on TV, but nobody knows Robert and what he's been through.
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I was the highest-paid street performer, probably, in the history of Chicago. I was making like $800 a day.
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I've had money thrown onstage, dollars, couple of five-dollar bills. I took the money, but it wasn't much.
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I don't have a job, so I sit in the studio all the time and think of stupid stuff to do.
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Fans can never accuse R. Kelly of doing the same thing; I keep mixing it up.
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I've always had mostly women come out to see me perform. That's the reason the guys show up; they know R. Kelly is going to draw the women. Most of the songs I'm singing are catering to women anyway.
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There was a time I desperately needed for the world to know that I was no category guy. My whole goal in life was to reach that certain success where people will say, 'Hey, that guy can do anything. He's the Evel Knievel of music. He's jumping over 15 buses!'
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I'm not an A student; I'm not even a B student, but I've gotten a lot better with the reading because of texts. And I can voice-text and say whatever I want to people.
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I used to get criticized for doing a 'Bump & Grind' then turning around and doing a gospel song. But the truth is I'm glad I have a gift that allows me to switch lanes.
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I want to be able to be a father to my kids, where I've never seen my father, but my kids can see me whenever they want, so that was broken.
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Music is very powerful and can make you feel whatever it is. If you listen to gospel, you're going to feel thankful, and you're going to want to call up people that you hate and tell them that you love them. When you listen to sexual music, it gets you in the mood.
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I'm a lover of all sorts of music, which makes me a chameleon when it comes to performing anything, whether it's opera or whatever. As long as it's good and it feels good, I'm going to cling to it.
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I'm not very good at picking stuff up off the radio. It takes me way too long to learn other people's music.