Marian Seldes Quotes
I almost never go to the theatre without seeing someone I've taught or known at Juilliard.
Quotes to Explore
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I remember the moon landings, and Apollo was the paradigm by which all progress was measured at that time. And I knew that creating a true space-faring civilization was both possible and practical. What I failed to realize was that the effort would fail due to bureaucratic inertia and political apathy.
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Retiring for good wasn't difficult. I knew at the time it was right. I was no longer capable of achieving the standards I'd set myself and there was no light at the end of the tunnel.
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The power of Twitter still never ceases to amaze me.
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I went to this one in Ohio, and then I became a counselor there, and it was just the most fun thing. I was so depressed when I came home from camp.
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I write almost entirely in bed or on a couch with my feet up on the coffee table. I feel most creative when I'm looking out the window, and my bed and couch have nice views of the New York skyline.
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It's something that I do every year - every Ramadan to be exact - taking an 18-hour flight back home to Malaysia from Los Angeles. I'm born and raised in Malaysia, and Ramadan and Eid has always been my favorite time of the year.
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For me, one of the important things about keeping vocally healthy is warming up and making sure I'm aware where my voice is at, drinking lots of water and getting plenty of sleep, and just taking care of myself with exercise and eating healthy.
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My job is to put myself out there. It's beyond my control how I'm perceived.
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I believe in holiness and sacredness in other people. It doesn't mean that the clouds part and I see God. That's a juvenile way of thinking about it.
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Facts are to the mind what food is to the body.
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I don't add any deliberate nuances to the way I sing. I've seen so much and been all over the world, but I'm glued to my roots, and that comes across.
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I had such an amazing experience on 'The Pillowman' that it was hard to think what else is going to live up to that.
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I don't use my body to seduce, no. I just stand there.
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Every international meeting or championship I do, I can cope a lot better because I can say I did the 100 m. hurdles, opened up the athletics at an Olympic Games in front of a home crowd, 80,000 people.
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Understanding does not cure evil, but it is a definite help, inasmuch as one can cope with a comprehensible darkness.
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My private life is a lot more ladylike and less sultry than the fashion photos I imagine.
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I maintain that many an inventor, many a diplomat, many a financier is a sounder philosopher than all those who practice the dull craft of experimental psychology.
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I think that, ultimately, there are so many characters in G.I. Joe that even all the iterations - the comics and the different cartoons and everything - have been a big ensemble. Lots of crossing storylines and stuff.
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When we'd suggested doing it, the Theatre Royal management had said, 'Nobody wants to see Waiting for Godot.' As it happened, every single ticket was booked for every single performance, and this confirmation that our judgment was right was sweet. Audiences came to us from all over the world. It was amazing.
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Filling a theatre like the Olympia or Vicar Street on your own name is a very rewarding moment.
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I always go back to theatre. It's probably where I'll draw my last breath.
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I definitely see myself continuing to transition into more acting roles. I'll always be a coach. I'm always going to have a training center, always going to work with guys that are looking for some input and want help. I love commentating, and that's something I can always go back to and enjoy doing.
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In my early shows, I wanted to put myself through a new childhood, disintegrating my whole identity to let the real one emerge.
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I almost never go to the theatre without seeing someone I've taught or known at Juilliard.
