Dua Lipa Quotes
When I think of artists I love, like J. Cole, it's the storytelling that grabs me. I want to be honest with my music.
Quotes to Explore
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A reciprocal of a fraction is found by flipping it upside down. If you want the reciprocal of a mixed number or a whole number, just convert it to an improper fraction, and then flip it!
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I think it is important to ask ourselves as citizens, not as Democrats attacking the administration, but as citizens, whether a world power can really provide global leadership on the basis of fear and anxiety?
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I knew from the first episode that 'Longmire' was something special - I met the writers/exec producers, read the script, and knew it was special, so to have the network and the studio and the fans get behind it in the way that they have has been really amazing.
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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For every reason it's not possible, there are hundreds of people who have faced the same circumstances and succeeded.
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There is a tendency by a lot of officials to hide behind the king. And it's about time that officials take their responsibility and are responsible in front of the people.
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There were sometimes from forty to sixty English machines, but unfortunately the Germans were often in the minority. With them quality was more important than quantity.
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Working with Bruno Mars would be really awesome. I'm such a fan of his, and I love that he's a real artist.
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I don't think I can play Mr. Bachchan.
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I don't really have a main source for my style inspiration. It's really about however I feel about myself at the moment.
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They got word that the Japanese planes were coming back, so we sunk her ourselves so the Japanese wouldn't get it. We didn't want the Japanese to get it intact.
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As an actor, you don't want to play a one-dimensional character.
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I started traveling by myself as early as 5 to see my dad. I'd go to Toronto or Los Angeles, depending on what show he was doing, but most often New York, and we would hang out, and he'd take me to museums and Broadway plays. The ones that had the biggest impact on me were the George C. Wolfe productions.
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The history of all previous societies has been the history of class struggles.
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I feel like I'm not the greatest general manager in the history of general managers, but I do OK, and I'm learning as I go. I try to just do my best with it.
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I was the first one to allow a projectile to come off of the stage and into the audience. And I kind of take responsibility for the mosh pit.
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The Arab representatives and their followers were not interested in the persecuted millions throughout the world; they were fixed on a political agenda that distracted the world from their own serious shortcomings in the human-rights department.
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The way to a man's heart is through his chest.
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When I made the decision to stop working regionally and just focus on being in New York, part of the reason that instigated that choice was a desire to work on new plays and know what it was to originate a part.
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I don't want people to just hand me music and be like, 'Here, you sound good on this. Sing it.' I want to be able to say, 'This is me.'
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When you make music, you're in really direct contact with your fans out there, so you hear all kinds of stories.
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I wanted all the music to sound strong. It's all down to the restoration and mastering. In many ways I feel the work in general was never properly mastered in the first place. To me, making the music sound the way we wanted it was by far my biggest goal with the re-issues.
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The way children are taught football doesn't encourage skill; the focus is on other areas.
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When I think of artists I love, like J. Cole, it's the storytelling that grabs me. I want to be honest with my music.
