Billy Joel Quotes
I'm a cosmopolitan sophisticate of culture and intelligence. The culmination of technology and civilized experience.
Quotes to Explore
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I come from an immigrant culture. I'm only a couple of generations away from having been a servant girl myself.
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I hate these platforms that are all over the place today; they are all about grabbing attention. They are suburban! I never do a platform. Well, I did, in the 1970s, but that was a bad experience.
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To write our constitution is for the past, the present, and the future to come together all at once in one single motion, in one single heave, one single cry. For we correct the errors of the past and chart a new course for the future, based on the experience of the present.
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Once you understand that Goliath is much weaker than you think he is, and David has superior technology, then you say: why do we tell the story the way we do? It becomes, actually, a far more meaningful and important story in its retelling than in the kind of unsophisticated way we've done it for, I think, too long.
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I may have managed to build a successful technology startup that had gone public by the time my three kids hit their 13th birthdays, but don't think that bought my wife and me any special respect from our teenagers.
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When I'm home on a break, I lock myself in my room and play guitar. After two or three hours, I start getting into this total meditation. It's a feeling few people experience, and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
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I believe life is an 'experience ball.' You throw it at someone, it picks up their response... it grows. You play with that ball, learning what it teaches you.
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My favorite Broadway show day-to-day, just for the experience, was 'The 25th Annual Putnam County Spelling Bee.' The people were so much fun. It was a great show.
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I taught a master class in film in France, and that was a great experience because I got a chance to study the French film culture and the French film history, so to add... just to expand myself just personally and professionally was really helpful.
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How come I love having an episode of deja vu? It's akin to an out-of-body experience, I would think. It sits with me, happily, begging me to delve into my memory to find its match point.
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A lot of people seem to feel that joy is only the most intense version of pleasure, arrived at by the same road - you simply have to go a little further down the track. That has not been my experience.
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I try to write about how we live today, how we use language, technology, our bodies.
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We have seven pillars of development. India has a cutting edge information technology industry. We are setting up a technology park. We would like to see technology penetration iin education. Besides, we would like to see cooperation in industries like fashion, filmmaking, ship-building, education, health and energy.
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There isn't a lot written about the motorcycle culture.
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Soon after my degree, in 1958 I went to the United States to enlarge my experience and to familiarize myself with particle accelerators. I spent about one and a half years at Columbia University.
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We have this culture of financialization. People think they need to make money with their savings rather with their own business. So you end up with dentists who are more traders than dentists. A dentist should drill teeth and use whatever he does in the stock market for entertainment.
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I write for children because I am interested in fantasy and the possibilities for experience of all kinds before the time of compromise. I believe that children are far more perceptive and wise than American books give them credit for being.
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If I'm made to pick one transcendent reading experience, then it was listening to Miss Sarzin as - if we'd been very, very good - she read the next chapter of 'The Hobbit' aloud to us.
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Good buildings make and are made by their settings, and they are appropriately different in different locations. Climate, culture, topography and materials have helped create regional architectural languages that seem curiously right for their locations and for all times.
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I think anorexia is a metaphor. It is a young woman's statement that she will become what the culture asks of its women, which is that they be thin and nonthreatening. Anorexia signifies that a young woman is so delicate that, like the women of China with their tiny broken feet, she needs a man to shelter and protect her from a world she cannot handle. Anorexic women signal with their bodies "I will take up only a small amount of space. I won't get in the way." They signal "I won't be intimidating or threatening." (Who is afraid of a seventy-pound adult?)
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Thoughts will change and shift just like the wind and the water when you're on the boat; thoughts are no different than anything else.
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I worked with Dalton Trumbo, who served time for refusing to give up names of people that were accused of being Communists. I've always admired him.
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I'd make a million songs with Game because we never had no real problem.
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I'm a cosmopolitan sophisticate of culture and intelligence. The culmination of technology and civilized experience.
