Monica (Monica Denise Brown) Quotes
Some things make me emotional in a good way. When my son does well in school, I get real emotional because that's a testament to what I'm feeding him at home on a daily basis as far as knowledge goes. I wasn't so emotional until I had my first son.
Quotes to Explore
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What brought mass innovation to a nation was not scientific advances - its own or others' - but 'economic dynamism': the desire and the space to innovate.
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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I have cravings all the time, even when I'm not pregnant.
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I'm not very good at being domesticated. I've tried. The domestic life I find claustrophobic - the rituals and habits and patterns.
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When we come to understand nature, we are touching the most deep and most important parts of ourself.
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I think it's always easy to be sympathetic to parts of the government in detail; in their concrete manifestations. Because obviously, we don't have government for no reason.
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How people treat you is their karma; how you react is yours.
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I can't predict whether I'll leave here freely or in handcuffs.
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Often I play, especially on television, a lot of smart lawyer people and cerebral types.
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I grew up in a cloistered, conservative culture that adhered to strict gender roles. So it's easy to understand why the 'girl dressed as a boy' trope resonated so much. In a world that didn't want to give people like me adventures or significance, books with cross-dressing girls were treasures.
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I have a cousin called Flirta D who was big in the grime world, which made me really cool at school. 'Flirta D's your cousin?' 'Yeah, buddy.' 'He must be a millionaire!'
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When I arrived to study at Oxford in October 1963, the bohemian style was black plastic or leather jackets for women and black leather or navy donkey jackets for men. I stuck to cavalry twills and a duffle coat, at least for a few months.
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I'd like to give people leaden boots in galleries, so they'd be a bit slower in front of my paintings. And that's because I spend so much time looking at them. I can look at them a long, long time without getting bored. I disappear.
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You grow up and change your look. I feel different from how I did in my Playboy days. Now I think I'm in charge of toning down my look or not.
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I think generally, in life, I try to always ensure that there are periodic moments where I do venture out of my comfort zone, because that's what keeps you alive. That's what keeps you from getting stale.
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If we get a few solid festival shows then I will have no problem booking the lads for as many quality club shows around them to make a nice tour come together.
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What I'm very concerned about is how do we bolster our self-awareness as humans, as biological organisms?
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A lot of artists don't like the sound of their voice. They're put off by it.
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You can't converse with Alzheimer's sufferers in the way you do with others; the dialogue tends to go round in circles.
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I procrastinate in spades. In my defence, I also try to have all other distractions solved before I can concentrate on writing. My small theory is that to write for three hours, you need to feel like you have three days. To write for three days, you need to feel like you've got three weeks, and so on.
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Here I am, a not over-good business man, a second-rate engineer. I can make poor mechanical drawings. I play the piano after a fashion. In fact, I am one of those proverbial Jack-of-all-trades who are usually failures. Why I am not, I can't tell you.
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Knowledge without action is wastefulness and action without knowledge is foolishness.
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Resistance at all cost is the most senseless act there is.
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Some things make me emotional in a good way. When my son does well in school, I get real emotional because that's a testament to what I'm feeding him at home on a daily basis as far as knowledge goes. I wasn't so emotional until I had my first son.
