Robert Plant Quotes
I think that passion and love and pain are all bearable, and they go to make love beautiful.
Quotes to Explore
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I interviewed Johnny Knoxville once. I was kind of scared to interview him because I thought he might be a real jerk, but he was really nice, and I ripped his chest hair out.
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I would love to have been around in the Keystone Studios days.
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I think it would be nice to see more of an open culture to different music.
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I've had five weddings but if I'm really honest and if I count significant de factos... I've had nine husbands... which sounds appalling but when you consider I started at 18 and I'm 65 it's not so bad.
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The worst I think that I ever was, when 'Unforgettable' had come out, and not long after that I was on - I was on my way to my second divorce. And that was a crushing, crushing blow.
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I came to London. It had become the center of my world and I had worked hard to come to it. And I was lost.
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There are times, especially when I was just getting into PC gaming, where I spent way less time playing than obsessing about the quality of the play.
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My approach to cricket has been reasonably simple: it was about giving everything to the team, it was about playing with dignity and it was about upholding the spirit of the game. I hope I have done some of that. I have failed at times, but I have never stopped trying. It is why I leave with sadness but also with pride.
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I want to be the best version of myself - intellectually, emotionally, and physically. So I like to wear clothes that I feel comfortable in, that reflect that.
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If you're a competitive person, that stays with you. You don't stop. You always look over your shoulder.
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Back in those days intimidation was the greatest tool the drill instructor had. Without that tool, he would not have had control.
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I like a set to be a happy place, where people can feel free to experiment.
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I was addicted to the original 'Star Trek' when I was growing up, because of my dad. We grew up in St. Helens, Oregon and we weren't allowed to watch a lot of TV.
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The familiar trope of the woman in peril doesn't really interest me.
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I suppose being quite young and being thrust quite dramatically into a large public arena skewered my vision of what it means to live and be a part of something.
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Until you are happy with who you are, you will never be happy because of what you have.
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I meant that the Chinese people are not aware of their own entrapment. They believe they live in a free society, but don't realize how much they are being monitored and controlled, how much the information they receive is restricted and warped, until they step out of line, that is, and feel the heavy hand of the state fall on them.
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You can choose not to sit on the fence. You can choose not to criticise. You must stand as guard at the door of your own mind and choose to be positive.
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I have been suffering for so long and didn't even recognize it. I just stopped doing so many things that I used to love to do due to my pain.
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I could probably recite just about every song that was on country radio between 1990 and 2000.
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Nevertheless, no matter how much they killed themselves with work, no matter how much money they eked out, and no matter how many schemes they thought of, their guardian angels were asleep with fatigue while they put in coins and took them out trying to get just enough to live with.
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I wasn't thinking of a sequel when I finished 'Life Class.' What changed my mind was the perception that the characters had a lot of life left in them, a lot of unresolved conflicts, and also I became interested in the Tonks pastel portraits of facially disfigured soldiers and in the whole area of facial reconstruction.
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After all, from the Muslim Brotherhood's inception in Egypt in 1928, it has been a revolutionary organization committed to the imposition worldwide of a totalitarian, supremacist Islamic doctrine they call shariah.
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I think that passion and love and pain are all bearable, and they go to make love beautiful.
