Jon Bon Jovi Quotes
Quotes to Explore
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I believe that entrepreneurs play an unmatched role and the accelerating pace of innovation is transforming the face of global challenges. You must think about the solution differently when you're trying to impact 1 billion people rather than affecting 1 million people.
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In my career, I'm always trying to do something different.
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Back in the day, when the D.J. would be playing a record, I'd be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that that's the role that I wanted to take on. I wanted to be the one that was hyping, because I've always been good at it. I can hype up any crowd.
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My wife and I were both very engaged in trying to defeat Trump. We knocked on doors in three states.
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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If you're trying too hard to be the girl next door, you're not going to be.
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I consider 'Dr. Horrible' a tremendous success. The fact that it won an Emmy I just think lends validity to what we were doing and the point we were trying to make: taking the power into someone else's hands and changing the world.
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Triple 6 Mafia and Mystikal in Atlanta was one of my first shows. I remember how sweaty and smashed up everybody was, and it was so punk rock.
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I had something I was trying to say and sometimes the message is an easy transmission and sometimes it's a difficult one but I love the power of saying it so I'm gonna do it whether it's hard or easy.
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When you have somebody like a Donald Trump - he made no bones about trying to disprove Barack Obama's Americanism in trying to make him out to be some foreigner that was born in Kenya. I thought that to be very racist.
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One of the things that always was Fall Out Boy was trying new things and kind of pushing ourselves in different directions.
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The film depends on the audience's belief in this relationship.
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I'm at this point in my career where I'm trying to step away from the realm of fine arts, because I think it's a very exclusive, very restrictive place to be. What I want to be able to do is to change the lives of people with the same materials they deal with every day.
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A failure is not always a mistake, it may simply be the best one can do under the circumstances. The real mistake is to stop trying.
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I'm trying to stay focused on what I'm doing. I don't want a whole lot of things going on - people to call back, or text messages or whatever. I chill out, relax a little bit, and then I don't have those issues.
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My whole approach is very much about using the locations as a world, trying to find the beauty in the time of day we shoot or the ugliness of it, in cases.
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You know, there have been a lot of casualties in rock-n-roll.
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We're so enamored of technological advancements that we fail to think about how to best apply those technologies to what we're trying to achieve. This can mask some very important continuities in the nature of war and their implications for our responsibilities as officers.
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It's funny, because in deference to conventional wisdom, I spent my struggling writer years trying to suppress my naturally baroque literary voice and write clean, spare prose. I finally gave up and embraced my baroque tendencies when I wrote the Kushiel series.
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I'm a strong woman.
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I only wish I could have played in the big leagues when I was young enough to show what I could do. When an offer was given to me to join up, I was too old, and I knew it.
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If there was another real one, it could be dangerous. People could be hurt. We have to act just like we would if this were real.
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I don't want to use my creative energy on somebody else's user interface.
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Trying to seduce an audience is the basis of rock & roll.
