Jon Bon Jovi Quotes
Quotes to Explore
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I think when I first started acting there were different people who I thought, 'I want that person's career or that person's career.' And as time has gone on, it's become really clear to me what is important to me; getting the best roles, the roles that I feel are challenging and scary and that I haven't done yet.
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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When you are missing someone, time seems to move slower, and when I'm falling in love with someone, time seems to be moving faster.
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It was never the goal to be a solo performer. It was just something that made the most sense at the time.
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Many of the songs on Undertow were written at the time Opiate came out.
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I think people are going to like my new shoes. I like them. I had a lot of success with the one last year, but this year's shoe is going to be a little different, but at the same time it's going to be a little spin-off on last year's shoe.
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It's actually meditative to sit in a character for an extended period of time, realizing what your relationship is to who you're playing and then letting go, just being there.
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I have a sewing machine that I adore, and I spend a lot of time sitting in front of it when I'm not working. And any excuse to paint or draw or do something artistic with my hands really gets me going. Definitely aspiring.
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I love the idea of animation just because it removes the actor from the character, and you can be anything. I've been devouring 'Adventure Time' and 'Archer.' I'd love to get my hands dirty on either of those shows.
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I'm not afraid of turning 80 and I have lots of things to do. I don't have time for dying.
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People know more about baseball players' contracts than they do about the policies that govern the fate of our children's lives in twenty years. Think about it. People used to say, the whole time I was growing up, 'Do you want to bring a child into this world?' That's pretty dire.
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Today is the tomorrow I worried about yesterday.
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I really wish that I would have gone to college. Even my son, who's into rap himself, I tell him and tell his children, 'Go to college. Get that education - it is so important. Don't do like I did.' I had all this singing on my mind, and I just didn't have time for it.
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I've always been interested in the office. I was a secretary a long time ago, and I've always been into paperwork. My first secretarial job was 1965 or 1966.
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The future is keeping you out of the present time.
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Our World War II generation met the challenges of their time.
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Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
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Every few years, I go back into all the songs and I update them so that it never sounds like an oldies show. If you come to the shows, they're full of muscle. 'Copacabana' sounds like it could have been released yesterday.
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Do you know how many times my career has been close to rock bottom? Each time, I was like, 'Girl, figure it out. Reinvent yourself.' Just the other day, I was having lunch with my mom, and she said, 'You've taught me so much. You are so resilient.'
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We look backward too much and we look forward too much; thus we miss the only eternity of which we can be absolutely sure - the eternal present, for it is always now.
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The only way really to influence countries, in terms of poverty, is to get them to change their policies and get them to understand what the issues are.
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Follow effective action with quiet reflection. From the quiet reflection will come even more effective action.
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They're about dimes and dollars. A few dimes to you in tax cuts, many, many dollars to banks and oil companies.
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Don't waste your time away thinkin' 'bout yesterday's blues.
