Joe Elliott Quotes
Quotes to Explore
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I grew up in Cyprus and Egypt, these fantastic places I remember fondly.
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Being gay myself, I'm naturally drawn to the interactions between men rather than men and women.
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I hope that one day when I'll go back to Pakistan, I will build a university like Harvard.
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The Wreckoning is a darker song. But the record is positive.
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I've been working with the land for most of my life; walking it and photographing it. And I love it to bits.
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A Harris poll I've seen says only 12 percent of the electorate names taxes as one of the most important issues facing the nation. Voters put tax cuts dead last, behind education, Social Security, health care, Medicare and poverty.
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In England I am not English, in India I am not Indian. I am chained to the 1,000 square miles that is Trinidad; but I will evade that fate yet.
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I went to Howard University and majored in Film Production and minored in Acting. I turned down an opportunity to go pro in Track & Field to do this - I took a chance with this.
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After 'Rent,' I tried to make a record, and it didn't work out, and it was the Broadway community that welcomed me back. It's where I feel the most understood, most at home.
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When I was four years old, my mother put me into a school for early music education where you get perfect pitch and harmony and composition.
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First appearance deceives many.
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If people don't know who you are, they're not going to listen to your message. And not everybody pays attention to politicians by watching Fox News and CNN.
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I had some really dear friends who died from AIDS-one in particular. His family wasn't around and he didn't have many friends. I spent a lot of time with him in his later days.
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I feel really proud of my work on 'Sullivan & Son.' It's a really different character for me. I was excited to play this really tough, sweet smart, quirky girl because that's who I am at my core, but that's never who I was playing. The show is like my pride and joy.
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I don't think I'd ever start making a film until I had both the intimacy with the subject and the distance to make it live in a certain way.
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The whole 'studly womaniser' thing, I mean, I quite enjoy the title - it's just not very accurate.
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I won my first medal when I was nine years old. It was at the Boston Open.
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Mr. Reagan spent World War II, the global conflict fought and won by his generation, making training films in Hollywood.
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And we turned off and 30 miles south they're standing in the middle of our road blocking our way, stopped the car, got out, took us through the path in the woods, where the craft was on the ground.
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There was a whole slew of 'Cops and Robbersons,' just films that didn't measure up, that didn't stand for anything comedically. They were purely for a paycheck.
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When you put your characters in a dire situation, they often do things that surprise even you, so you have to go back and revise your original conception of who they are.
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To me, the ultimate crime in an adaptation is the crime of reverence. A novel is one form of media, a screenplay is another, and a movie is yet another. There's even reverence to a screenplay.
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Art matters because it is the one true great connector in a world that seems to be very unconnected.
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If you're driving, don't forget your car.
