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I think that people taking drugs occasionally are great. I think there's nothing wrong with it. But if you do it the whole time, you don't produce as good things as you could.
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Quite often when I record a song, writing it and making a demo is the big thing and, after that, I think, how do I actually translate this into real life? A lot of the time I think I can't be bothered.
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Casanova, he had no money and no power, and according to some, he even was cute. But he had talent to live, and some literature talent. I love how he invented himself.
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I don't know if rock is dying. I wouldn't want to say that, but the world does change. Nothing stays the same.
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I prefer to live in a rented house. No ties. Nothing around my neck. Just the minimum kind of bare comforts of home.
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Time is on my side, yes it is.
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Life's just a cocktail party - on the street.
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My secrets must be poetic to be believable.
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Anyone taking heroin is thinking about taking heroin more than they're thinking about anything else. That's the general rule about most drugs.
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When you start a new project, no matter if it's a movie like Enigma or an album like Goddess, you are always learning something. While I search, I find something new.
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It's nice to collect stamps, but if it becomes obsessive, and you start stealing for your stamps, it becomes too much.
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The new fashion is to talk about the most private parts of your life; other fashion is to repent of your excesses and to criticize the drugs that made you happy in the other times.
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People think they know you. They know the things about you that you have forgotten.
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It's a real buzz, even in front of 20 people, to make a complete fool of yourself. But people seemed to like it. And the thing is, if people started throwing tomatoes at me, I wouldn't have gone on with it.
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He stole my music but he gave me my name.
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When we heard we were topping the bill over James Brown we couldn't believe it. We tried for two days to get it changed round - I mean you can't follow an act like that.
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I liked John a lot. He was the one I really got on with the most. We weren't buddy-buddies but we were always friendly. But after the Beatles and the Stones stopped playing clubs, we didn't see each other that much until he separated from Yoko, around 1974. We got really friendly again. And when he went back with Yoko, he went into hibernation ... when I went to visit someone in the Dakota, I'd leave him a note saying: 'I live next door: I know you don't want to see anyone, but if you do, please call.' He never did.
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You have to sing every day so you can build up to being, you know, Amazingly Brilliant.
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You don't always do the same things you've done the night before. That's what makes playing live so interesting as opposed to being in the studio.
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Dandelions don't tell no lies.
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I was having a bit of trouble. I wasn't in a good relationship. Or I was in too many bad relationships. I had so many girlfriends at that point. None of them seemed to care they weren't pleasing me very much. I was obviously in with the wrong group.
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In England you're skewered on the altar of pop culture if you become pretentious.
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I'd done a very long project on Bridges To Babylon. I was on the road for ages with that. When I came off the road, I thought, the next thing I want to do on my own.
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A lot of times songs are very much of a moment, that you just encapsulate. They come to you, you write them, you feel good that day, or bad that day.