Kendrick Lamar Quotes
Quotes to Explore
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I think I remember being held by my mum as a baby.
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With 'Tron,' we had so many crew members around and a stage full of special effects people that know exactly what has to be done in the situations. You're on a stage in sets the whole time.
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I design all my sets. With my tour and my album artwork, I co-design that with people who are better at drawing than me. But I've got a good imagination. I went to art school so I understand how to communicate my ideas.
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People tend to think that numbers are quite objective, but numbers in economics are not like this. Some economists say they're like sausages: you don't know what they really are until you cut into them.
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I would love to win the Champions League once again. Winning big trophies like the Champions League or the World Cup is usually making people think, 'The players are not hungry any more.' Still, that's not what I feel.
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I'm a national security liberal, which I tell people because it's meant to sound absurd.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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People know more about baseball players' contracts than they do about the policies that govern the fate of our children's lives in twenty years. Think about it. People used to say, the whole time I was growing up, 'Do you want to bring a child into this world?' That's pretty dire.
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Traditionally with debut albums, labels insist on a face, so people know who you are.
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See, I believe that it is not true that different races and nations are alike. I'm profoundly convinced that that's a total lie. I think people are different. Sardinians, for example, have stubby little fingers. Bosnians have short necks.
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I love helping friends, and I like to think I am a good listener and supportive. I'm also just kind of nosy, so it would satisfy my need to know other people's stories.
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It's no use of talking unless people understand what you say.
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People vote with their hearts, not their heads.
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I think it's important for people of colour to have similar opportunities to white people; that's what is most important.
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Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
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My older brother, Jake, and I had a bohemian childhood. My parents are deeply unconventional people from the beatnik generation. They weren't married, and I thought that was normal. We called them by their first names.
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It's just kinda irritating to me that we're awarding people in mixed martial arts for trying to move away and not finish the fight.
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I'm trying to stay focused on what I'm doing. I don't want a whole lot of things going on - people to call back, or text messages or whatever. I chill out, relax a little bit, and then I don't have those issues.
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Please, not again what you studied, how long you spent at it, how many books you wrote, what people thought of you - but: what did you learn?
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I like Bill a lot. As Bill is presented, I mean you don't ever see Bill blow her head off? You know? And I think what Quentin has done is he created a monster.
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Dance music has pushed its way into the mainstream. Which is good for me.
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It's such a small industry here you inevitably end up working with the same people over and over again. There are only so many actors to go around, which is good for us.
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Any stigma, as the old saying is, will serve to beat a dogma.
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I always tell people that if I move anywhere it would be Toronto.