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I think my vice would be outdoing myself.
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Being acknowledged for your work is always a great accomplishment, whether it's people in my city, kids in the street, all the way up to the Grammys.
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From the moment I started writing raps, I was always aware of the pressure. I always wanted to live up to how huge Snoop got, how huge Dre got, how huge Pac got. I was always aware.
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My whole thing is to inspire, to better people, to better myself forever in this thing that we call rap, this thing that we call hip hop.
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I'm putting out this free music, constantly putting it out.
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I think that's why I put my energy into making music. That's how I get my thoughts out, instead of being crazy all the time.
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At first, I was scared to show fear because you can never be sure how people will perceive you. But I dared myself to do that, to stand out. Now I'll talk about being beaten up or robbed or making a stupid decision because of a girl or whatever.
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I'm only as good as my last word, my last hook, my last bridge.
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Sonnymoon and Quadrants are a couple of bands that really inspire me in terms of the melodics of things and certain tones and just what feels good. It takes me back to the type of music that I grew up on in my household. We played a lot of gangsta rap, but we also played a lot of oldies, and I think that mix is part of what inspires my sound.
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I don't really believe in the type of pressure that people are wanting to put on the type of music that I make.
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I think my worst problem is actually living in the moment and understanding everything that's going on. I feel like I'm in my own bubble.
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The way people look at me these days - that's the same way I looked at President Obama before I met him. We tend to forget that people who've attained a certain position are human.
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Tupac, Biggie, Jay. Your usual suspects. These were the people that was played in my household.
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I always thought money was something just to make me happy. But I've learned that I feel better being able to help my folks, 'cause we never had nothing. So just to see them excited about my career is more of a blessing than me actually having it for myself.
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The majority of my interactions with police were not good. There were a few good ones who were actually protecting the community. But then you have ones from the Valley. They never met me in their life, but since I'm a kid in basketball shorts and a white T-shirt, they wanna slam me on the hood of the car. Sixteen years old.
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I don't want to be something that just comes and goes.
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I'm selfish.
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This is the thing about hip-hop music and where people get it most misconstrued: It's all hip-hop. You can't say that just what I do is hip-hop, because hip-hop is all energies. James Brown can get on the track and mumble all day. But guess what? You felt his soul on those records.
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I always felt like there was a certain standard of music that I had to do from the beginning, even when I didn't have the recognition that I have now.
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If my edge is dull, my sword is dull, and I don't want to fight another guy whose sword is dull. If you've got two steel swords going back and forth hitting each other, what's gonna happen? Both of them are going to get sharper. Everybody that's in the industry has lost their edge.
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Before finding music, I didn't have too many aspirations. I wanted to hang out, make a little money from whatever I had to do.
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My folks ain't graduated from high school or nothing like that, so we always had to struggle in the family - and I come from a big family.
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The worst part of success is, to me, adapting to it. It's scary.
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Eventually you get to this point where you understand what you want to do and get across and sound like.