Anthony Santos (Romeo Santos) Quotes
I always want people to expect the unexpected, to hear me in records that have nothing to do with bachata. 'Golden' is the golden opportunity for them to appreciate me on other records.
Quotes to Explore
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Graffiti has an interesting relationship to the broader world of hip-hop: It's part of the culture, but also in a weird way a stepchild of the culture.
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You go to a theater now and you literally see parents watching the movie and they suddenly cover their kid's ears. I figured I'd make one movie where they didn't have to do this.
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My neighbors think I do nothing because I don't go to a job, which is fine and good.
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We are so Post-Modern that we don't realize how Post-Modern we are anymore.
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At the end of the day, I'd love to see children stop begging their parents to go to the circus. That's what would make me most happy.
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Being at the Apollo, I was always starstruck.
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But, unfortunately, sometimes that affirmation creates a sense that you deserve special treatment and recognition in areas where you're not so talented.
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Speaking is physically difficult for me.
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The emperor is in the Church, not above the Church.
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I had seen birth and death but had thought they were different.
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The spirit of L.A. is untamed wilderness. It's earthquakes and wildfires and oceans and mountain lions and fog. There's great physical beauty.
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I was a huge comic book fan as a kid. The only problem I had with comic books is how expensive they got. I didn't have a lot of money, so I had to be very specific about what I wanted to collect. I think they're all somewhere in the basement of my folks' house.
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I want to have an impact on my son.
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I love Dr. Hauschka's blue mascara. It's not so blue that it's like, 'What's wrong with you?' It's more like a secret that you're wearing it.
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The only danger about websites, you know, is people who remember something you did or said thirty or forty years ago, and bring it up against you, so you're going for a job and you don't get it.
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I wasn't a social butterfly at all.
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I used to go down every year for the remembrance of Elvis' birthday. Memphis State College invited me to sit in the auditorium and speak to the people for one of those Elvis days.
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Chile's mines are very dangerous; the country has a lot of earthquakes.
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Even when I was a hip-hop DJ I always kept it classy. The motto is always 'flashy but classy.' You've got to be original and stand out from the crowd and take some chances. But you've always got to keep it classy.
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It's very cool to be short, very cool. When I was in eighth grade, and the height I am now, I would just look at the cute little short girls and think, 'If only, if only.'
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I tell people you should write what you love to read because that's where your passion is.
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So many times, people told me I can't do this or can't do that. My nature is that I don't listen very well. I'm very determined, and I believe in myself. My parents brought me up that way. Thank God for that. I don't let anything stand in my way.
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What was happening with me, with the album [A Period of Transition], with the people who took the pictures, the record company, everything, getting a new manager [Harvey Goldsmith]-it was all saying a period of transition to me so that was the title choice. It says what it is and obviously nobody is going to analyze that. It's exactly what it is.
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I always want people to expect the unexpected, to hear me in records that have nothing to do with bachata. 'Golden' is the golden opportunity for them to appreciate me on other records.
