Anthony Santos (Romeo Santos) Quotes
I always want people to expect the unexpected, to hear me in records that have nothing to do with bachata. 'Golden' is the golden opportunity for them to appreciate me on other records.
Quotes to Explore
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Graffiti has an interesting relationship to the broader world of hip-hop: It's part of the culture, but also in a weird way a stepchild of the culture.
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You go to a theater now and you literally see parents watching the movie and they suddenly cover their kid's ears. I figured I'd make one movie where they didn't have to do this.
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Whatever God or whatever higher power you believe in, they brought us to this earth in a perfect way, and you have to learn to love yourself. Otherwise, it's an exhausting way to be.
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My neighbors think I do nothing because I don't go to a job, which is fine and good.
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We are so Post-Modern that we don't realize how Post-Modern we are anymore.
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At the end of the day, I'd love to see children stop begging their parents to go to the circus. That's what would make me most happy.
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Being at the Apollo, I was always starstruck.
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But, unfortunately, sometimes that affirmation creates a sense that you deserve special treatment and recognition in areas where you're not so talented.
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Speaking is physically difficult for me.
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The emperor is in the Church, not above the Church.
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I had seen birth and death but had thought they were different.
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The spirit of L.A. is untamed wilderness. It's earthquakes and wildfires and oceans and mountain lions and fog. There's great physical beauty.
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I was a huge comic book fan as a kid. The only problem I had with comic books is how expensive they got. I didn't have a lot of money, so I had to be very specific about what I wanted to collect. I think they're all somewhere in the basement of my folks' house.
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I want to have an impact on my son.
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I love Dr. Hauschka's blue mascara. It's not so blue that it's like, 'What's wrong with you?' It's more like a secret that you're wearing it.
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The only danger about websites, you know, is people who remember something you did or said thirty or forty years ago, and bring it up against you, so you're going for a job and you don't get it.
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I wasn't a social butterfly at all.
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I used to go down every year for the remembrance of Elvis' birthday. Memphis State College invited me to sit in the auditorium and speak to the people for one of those Elvis days.
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I'm very happy to be directing though. It's a challenge, and it's a lot of fun for me to be on set.
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All of science to me, everything that we have learned, is important to the extent that it brings us to our senses.
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The museum in D.C. is really a narrative museum - the nature of a people and how you represent that story. Whereas the Studio Museum is really a contemporary art museum that happens to be about the diaspora and a particular body of contemporary artists ignored by the mainstream. The Studio Museum has championed that and brought into the mainstream. So the museums are like brothers, but different.
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I can't say that I wouldn't prefer to make small films, basically because I think they are probably more interesting in terms of the material. But every now and again, it's quite good to do a big one.
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Love is the crowning grace of humanity, the holiest right of the soul, the golden link which binds us to duty and truth, the redeeming principle that chiefly reconciles the heart to life, and is prophetic of eternal good.
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I always want people to expect the unexpected, to hear me in records that have nothing to do with bachata. 'Golden' is the golden opportunity for them to appreciate me on other records.
