Patty Loveless Quotes
I started to perform when I was 12... I don't talk too much. I let the music do the talking.
Quotes to Explore
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I joined a radical group at the age of 16 because I'm a passionate man; the good news is that I turned myself around since then. But my character is still quite free and passionate.
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I've always made sequels, even when I was making Super 8 movies if the audience liked it.
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For every reason it's not possible, there are hundreds of people who have faced the same circumstances and succeeded.
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I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
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Constant reference to a 'war on terror' did accomplish one major objective: It stimulated the emergence of a culture of fear.
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As an actor, you don't want to play a one-dimensional character.
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I grew up on the edge of a national park in Canada - timberwolves, creeks, snow drifts.
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If we were truly in the studio making a record, it would have been more time consuming, and certainly I would have been more involved in the writing process.
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Catholic schools in Indonesia routinely accept non-Catholic students, but exempt them from studying religion. Obama's school documents, though, wrongly list him as being Indonesian.
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I feel like I'm not the greatest general manager in the history of general managers, but I do OK, and I'm learning as I go. I try to just do my best with it.
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I'm obsessed with Radiohead. They're just the greatest band on the planet.
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Working with Jack Albertson was one of my great joys.
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Because of the way my words get scrutinized, I have to use a level of precision so people don't accuse me of misleading them.
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A lot of times on tour it's about, 'OK, where am I today? Wow, I'm in Costa Rica. What is their famous dish?' And it's about trying the food, and really experiencing it.
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I know I'm not a conventional beauty. You can read a lot of painful things on the Internet, which criticise you aesthetically - but as far as I'm concerned, that's not what an actress is.
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I always wanted to be the person to whom people looked forward to give opportunities. As opposed to always being the person who wants to work with others and who is always the backup: where it's like, 'If nothing works out then OK, let's get this person.'
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I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called 'A Banquet for the Moon.' It was a weird play.
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Living in a cultural milieu where the foreign writers most widely available and admired were Russian, I came very late to postwar American writers, and I had great trouble with the canonically exalted white male writers I tried first.
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Women exist in my imagination. So they are necessarily a type of abstraction. Many women criticise me for this vision, but I explain to them it's to be expected, because I am a man.
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I was always opinionated.
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It is our mistakes that make us interesting, right?
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The melody is the most important thing that must stay in the minds of the people who listen to you. No matter how many notes you play, you can't let them forget what the song is.
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I started to perform when I was 12... I don't talk too much. I let the music do the talking.
