Sia (Sia Kate Isobelle Furler) Quotes
Quotes to Explore
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I believe very strongly in the value of having a diverse team around me that comes from very different backgrounds and different points of view.
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When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.
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I'm not a sandwich store that only sells turkey sandwiches. I sell a lot of different things.
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If at noon you sit down and there's just silence or blank tape, in an hour if you have a song, that didn't exist an hour ago. Now it exists and it might exist for a long time. There's something empowering about that.
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In the 20th century alone, there have been 1,600 books about the circus. My adding one more would be superfluous unless I do something totally new and different.
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My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.
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In the jungle, every day is like the other. So you need to have a special discipline to make things different and to keep in your memory the dates and the days. And I think that's something that's very important when you are held hostage.
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From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
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If you are playing someone living, it is a different type of judgment. However much work you do, it is not a documentary. There will be things you can't get right, and ultimately, you have to take a leap because - you weren't there.
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Dave Sim said in his latest thing of his, 'when you're on the right track, you'll know it, but until you get there, you have to believe you're on the right track'. Interesting little conundrum. It's not easy.
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Well, my constituents are happy that the Republican Party has finally gotten off its duff, seeing that we do control the House and the Senate and the presidency, and taken up the issue of illegal immigration.
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I am a professional actor, and I don't go about moralizing about what the character does. Otherwise, seriously, why be an actor? You're not making some kind of social statement. That's not what actors do.
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I'm like, 'Why aren't artists owning their masters? Why are labels robbing artists dry, and they have to spend all this time on tour to even break even?' Like, what happened? Why are they promoting things that aren't either socially conscious or elevating the human consciousness?
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Mubarak's regime is dead and finished. People will not go back to this. This is a farce being propagated by the Muslim Brotherhood to say that this revolution was supported by the remnants of the Mubarak regime. They have gone against the whole Egyptian society, and this is why they were removed.
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Now I think one of the reasons why religion developed in the way that it did over the centuries was precisely to curb this murderous bent that we have as human beings.
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The cinematic language and interior destiny of each Iranian film-maker is different. The international influences on them vary from Rossellini to Fellini, Akira Kurosawa to Hou Hsiao-hsien, but there is a strong sense of solidarity.
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Donors want to meet famous people, and getting a high profile draw for a fundraiser is one way to boost both the crowd and the cash. It's why the president and the vice president are always in demand. These folks are in demand because people around the country want to meet them.
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I've been in front of a camera since I was a little girl, and that's the medium I understand.
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Bleachers comes from a different place. It's personal. It's just me putting myself out there as myself. It's very intense.
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A song like 'Shooting Star' - the thought process behind writing that song was that I looked around and thought, 'Wow, there's a lot of people dying at that time in the music business.'
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I think that everyone should be able to dribble. Everyone should be able to pass. Otherwise, why are you out there?
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I have always believed in trying to be a good person and giving to the world, and treating others in a just, kind, merciful way.
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That's why 'Chandelier' was interesting to me... I wrote the song because there's so many party-girl anthems in pop. And I thought it'd be interesting to do a different take on that.
