Sia (Sia Kate Isobelle Furler) Quotes
Quotes to Explore
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Nuclear power plants must be prepared to withstand everything from earthquakes to tsunamis, from fires to floods to acts of terrorism.
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I was publishing when I was 20, 21. And it really never stopped.
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Look what venison does to a goofy guitar player from Detroit? I'm going to be 54 this year and if I had any more energy I'd scare you.
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I think mobility is very important, not only to discover opportunities elsewhere but at times, also to appreciate better what your home town has. Allahabad, for instance, has the feel of a small, tightly-knit community where everyone participates.
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I think the interesting thing about the word 'posh' is that it is so relative; it's quite a provocative title because people have strong feelings about that word.
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I have been in more classrooms than any legislator will ever walk into in their lives, and I see wonderful, caring, dedicated teaching out there.
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A dinosaur out of context is like a character without a story. Worse than that, the character suffers from amnesia.
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All I have seen teaches me to trust the creator for all I have not seen.
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The older you get, the better you have to look, the higher you have to kick, the harder you have to work.
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I definitely don't sit down every day and make a new song.
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I pride myself on my personilty and not my looks because one day, I will be old and crusty with a moustache, and someone is going to love me for my personality and not looks. So whoever is going to marry me is going to laugh till he dies.
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If you can turn your wants into your needs, you can do anything.
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I fell in love with acting. I thought, 'This is what I want to do.'
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In other words, I wouldn't like to be an actor if I could only be real. I like to get wild, behaviorally wild, and it's crazy to think of any form where it's just one way.
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What I find sad is that the New Age movement is primarily a commercial undertaking. But it is answering to a human need.
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I say I am stronger than fear.
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People like to invent enemies. It spares us the need to address complex worldviews.
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As an artist, all I want is to be a part of good films.
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You'll see a lot more blood in 'Saw' movies or something like that than you will in either of the 'Last House' movies. I kind of think it owes more to 'The Virgin Spring' which is the original source material, the Bergman movie.
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Life is like a B-movie. You don't want to leave in the middle of it but you don't want to see it again.
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Predating the Internet and predating videos, you had an active imagination. You would hear sounds and then get mental pictures of what these sounds felt like to you. It engaged you and made you more invested in it. It made you want to get tickets to the show, buy the album, put the poster on the wall. Now it's sensory overload.
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After World War II, there were a lot of pension funds in Europe that were fully funded, but they were pressured to hold a lot of government debt. There was a lot of inflation, and the value of all those assets fell. Those pension funds couldn't honor their promises to the people.
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So it just wasn't in my house. Anywhere, I looked like I knew about the toilet.
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I was too embarrassed to tell anyone I wanted to make a movie because I thought it would be seen as a vanity project because I was a singer.
