John Mellencamp Quotes
Unemployment is sky-rocketing; deflation is in our future for the first time since the Great Depression. I don't care whose fault it is, it's the truth.
Quotes to Explore
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I was a go-go dancer at the Dom on East 10th Street in NYC. This was a glittering ballroom over Stanley's Bar. 1965.
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I will do today what others won't so I can do tomorrow what others can't.
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When you grow up on a dairy farm, cows don't take a day off. So you work every day and my dad always said, 'No one can outwork you.'
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In our Western culture, although death has come out of the closet, it is still not openly experienced or discussed. Allowing dying to be so intensely present enriches both the preciousness of each moment and our detachment from it.
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Our entire film fraternity should be proud of 'Baahubali.' These are the kind of films that are not made very often.
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I love wearing men's clothing and underwear.
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We read Robert Browning's poetry. Here we needed no guidance from the professor: the poems themselves were enough.
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I know, to banish anger altogether from one's breast is a difficult task. It cannot be achieved through pure personal effort. It can be done only by God's grace.
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We really love to learn and explore things.
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All my life I have fought corruption.
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Here's the thing that people don't understand: I don't really care. I've never been a careerist. It's not a strategy. I react to certain characters and story lines and specific mode of filmmaking.
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As professional soccer players, we take our bodies to the extreme. We're the people at the gym that look like we're breaking the machines. Pushing our bodies to the limits is what makes us so strong and capable and Olympians. It's not an easy thing to consistently do over and over again to your body.
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I really enjoy doing sitcom television. It allows me to stay in Los Angeles and spend more time with my husband and kids.
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The Arab Awakening or Arab Spring has transformed the geopolitical landscape.
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It's rare to see women in a film who are not somehow validated by a male or discussing a male or heartbroken by a male,or end up being happy because of a male. It's interesting to think about, and it's very true.
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America is addicted to wars of distraction.
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Do I love the road? Honestly? No - but it's how I earn my living. I also don't have the blues, like it's some kind of fever. The blues is my job. It's what I do.
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But I think it's more that when you're young, you're invincible, you're immortal - or at least you think you are. The possibilities are limitless, you're inventing the future. Then you get older and suddenly you have a history. It's fixed. You can't change anything. I find that a bit disturbing, to be honest.
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I've learned so many things from directors in my acting career. There are even some things I've learned that I didn't want to do. There are those directors who've really made me shine and others who've made me opaque.
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I'm going to build an empire. I'm always writing for someone else. I want to be someone who has her fingerprints all over the pop charts.
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America is a great country. It has a lot of work to do. The bottom line is it's easy to talk; it's easy to have the media pick up on something, and it's hard to have the patience to put something in place you can build on that will make sure each citizen has their equal rights.
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"I've always thought there was this underlying thing in Paul's "Get Back." When we were in the studio recording it, every time he sang the line "Get back to where you once belonged," he'd look at Yoko."
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Old age is an ordeal, of flesh and mind. Of winding down, of slowing down, of dying cells. It's accepting the loss of physical attractiveness and replacing it with the power and wisdom that can only come with old age.
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Unemployment is sky-rocketing; deflation is in our future for the first time since the Great Depression. I don't care whose fault it is, it's the truth.
