The Weeknd (Abel Makkonen Tesfaye) Quotes
Quotes to Explore
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We will always make music, but Die Antwoord is... finite.
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The important thing is that men should have a purpose in life. It should be something useful, something good.
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Retiring for good wasn't difficult. I knew at the time it was right. I was no longer capable of achieving the standards I'd set myself and there was no light at the end of the tunnel.
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I love the look of full brows that aren't perfectly done - eyebrows on fleek: that's the goal.
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I wasn't very good as a puppet. A lot of times in a movie, you need a really good puppeteer: you're sort of a puppet, and you're doing what you can. But I always, from the beginning, was kind of making up my own stuff from stand-up and sort of directing myself, so I wasn't very good in movies where I didn't have control.
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The only way reliably to gauge the heat of any particular chilli is to cut it in half, so exposing the core and membranes, and to dab the cut surface on your tongue.
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When I get into the studio, I write from my heart.
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I write almost entirely in bed or on a couch with my feet up on the coffee table. I feel most creative when I'm looking out the window, and my bed and couch have nice views of the New York skyline.
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I want to be in the small percentage of women who don't settle for conventional roles.
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I've decided to run for the U.S. Senate because I believe Wisconsin families need a senator who will work hard to deliver results for the middle class - a leader with the courage to do what's right, no matter how tough the odds or how powerful the special interests we have to fight.
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It's something that I do every year - every Ramadan to be exact - taking an 18-hour flight back home to Malaysia from Los Angeles. I'm born and raised in Malaysia, and Ramadan and Eid has always been my favorite time of the year.
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I'd love to live in Ireland but I'd like to live as me, not what someone thinks I am. People don't understand - I lived there before I was famous.
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I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
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In order to maintain that fire for acting and capture its essence, you can't let yourself be concerned with what people have to say about you. You just can't.
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Facts are to the mind what food is to the body.
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I don't add any deliberate nuances to the way I sing. I've seen so much and been all over the world, but I'm glued to my roots, and that comes across.
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I don't use my body to seduce, no. I just stand there.
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Speaking much also is a sign of vanity; for he that is lavish in words is a niggard in deeds.
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For me, a theatre is a dark place. It should be mysterious; it's where we go to get away from all the utilitarian things we do in the daylight.
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The most important thing about music that I've learned after all this time is that to me, it's a way of reaching the truth.
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To me, it's so much about doing your homework, going into a situation, getting to know the subject, making them feel comfortable, getting intimate access, getting access to all different aspects of people's lives so that I am essentially telling an entire story and not just a single image.
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I believe that Israel and the U.S.-Israel relationship are, and should be, key considerations in shaping U.S. policy in the Middle East. Americans with roots or interests in the region should be involved in advocacy and discussions of public policy concerning the region.
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When you come to my show, I want it to feel like opera, like a theatre.
