The Weeknd (Abel Makkonen Tesfaye) Quotes
Quotes to Explore
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We will always make music, but Die Antwoord is... finite.
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The important thing is that men should have a purpose in life. It should be something useful, something good.
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Retiring for good wasn't difficult. I knew at the time it was right. I was no longer capable of achieving the standards I'd set myself and there was no light at the end of the tunnel.
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I love the look of full brows that aren't perfectly done - eyebrows on fleek: that's the goal.
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I wasn't very good as a puppet. A lot of times in a movie, you need a really good puppeteer: you're sort of a puppet, and you're doing what you can. But I always, from the beginning, was kind of making up my own stuff from stand-up and sort of directing myself, so I wasn't very good in movies where I didn't have control.
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The only way reliably to gauge the heat of any particular chilli is to cut it in half, so exposing the core and membranes, and to dab the cut surface on your tongue.
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When I get into the studio, I write from my heart.
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I write almost entirely in bed or on a couch with my feet up on the coffee table. I feel most creative when I'm looking out the window, and my bed and couch have nice views of the New York skyline.
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I want to be in the small percentage of women who don't settle for conventional roles.
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I've decided to run for the U.S. Senate because I believe Wisconsin families need a senator who will work hard to deliver results for the middle class - a leader with the courage to do what's right, no matter how tough the odds or how powerful the special interests we have to fight.
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It's something that I do every year - every Ramadan to be exact - taking an 18-hour flight back home to Malaysia from Los Angeles. I'm born and raised in Malaysia, and Ramadan and Eid has always been my favorite time of the year.
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I'd love to live in Ireland but I'd like to live as me, not what someone thinks I am. People don't understand - I lived there before I was famous.
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I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
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In order to maintain that fire for acting and capture its essence, you can't let yourself be concerned with what people have to say about you. You just can't.
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Facts are to the mind what food is to the body.
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I don't add any deliberate nuances to the way I sing. I've seen so much and been all over the world, but I'm glued to my roots, and that comes across.
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I don't use my body to seduce, no. I just stand there.
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The only thing I fear is when people say, 'I should go to the theatre more.' I say, 'We should create work that makes you not have a choice.'
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To come to the theatre, people have to make arrangements, change their clothes, find a babysitter, find a parking space - and they don't come after hard work to hear a lecture.
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I think the best artists find ways to reinvent themselves. They find new ways to tell their stories, or they find new stories to tell.
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I played football. I wrestled. Those were team sports and I played for the school. When I was younger, I played kick the can and stuff like that. I loved that.
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We are going tomorrow to get very serious on Sudan.
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When you come to my show, I want it to feel like opera, like a theatre.
