Yotam Ottolenghi Quotes
Normally, when congee is served, the different condiments and garnishes are placed in little bowls on the side so diners can make their own personal creations.
Quotes to Explore
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Sometimes 'Rookie' is written about like, 'Finally! Something for alternative girls!' and I'm like, 'No!' Obviously it's not for everyone, but I used to think that there are cheerleaders, and there are art kids.
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I don't give up on commitments until what I've been asked to do is clearly finished.
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I'll always be back to the stage. I have no doubt that the stage will always call me back. There will always be a character that no one else can play, and I'll be back to play it.
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Futurism eventually got marred by its link to Fascism, but early on, it was totally avant-garde, and I wanted to dream a phantom link from the early futurists to the politically radical Italy of the 1970s, a time of fun, play, subversion - if also violence and mayhem.
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Acting is exciting. It is different every time you do it.
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I can go back to Egypt anytime I want. Can I leave Egypt anytime I want? I think I can. I think I can.
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We care about margins.
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The closer the look one takes at a word, the greater distance from which it looks back.
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You make movies for the people. If critics happen to like them too, well, that's a home run.
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I talked about becoming stupid, but I've always been stupid. Fortunately I've been just smart enough to realize that I'm stupid.
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Any idea, plan, or purpose may be placed in the mind through repetition of thought.
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As anchorman of the CBS Evening News, I signed off my nightly broadcasts for nearly two decades with a simple statement: 'And that's the way it is.' To me, that encapsulates the newsman's highest ideal: to report the facts as he sees them, without regard for the consequences or controversy that may ensue.
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Curtain! Fast music! Light! Ready for the last finale! Great! The show looks good, the show looks good!
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I'd be more likely to go for somebody who is like me. Well, I like creative people, so whatever that means... Yeah, authentic and creative.
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The Wood was about young people and the other one is more of a grown up movie.
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I completely agree with feeling the need for or the benefits of being pushed and of being directed on a project and collaborating.
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If I sit down to write a young-adult novel, then I'm going to write either to the punch-pulling expectation of what I can't do, or I'm going to go the other way and think about what can I sneak in to be 'down with the kids' - which would be excruciating.
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In Argentina, we're surrounded by polo ponies. The farm covers roughly 170 hectares, and there are no cattle or sheep, just horses.
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I grew up going to public school, and they were huge public schools. I went to a school that had 3,200 kids, and I had grade school classes with 40-some kids. Discipline was rigid. Most of the learning was rote. It worked.
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I do not mind having written the song at all. I just wish that I had written it in a different key, as the high d is hard to play. I am glad that I wrote something that brought joy to millions of people.
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The gut-strung guitar, the classical guitar, that is a whole different world on its own. When you think what the guitar can do and what every individual player does with a guitar, everyone has their own identity coming through the guitar.
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It's always just a great thing to see your kids connecting and you see the different stages.
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Normally, when congee is served, the different condiments and garnishes are placed in little bowls on the side so diners can make their own personal creations.
