Tove Lo (Ebba Tove Elsa Nilsso) Quotes
When I play a song for someone the first time, if I make 'em laugh, I think, 'Yes, I've succeeded.'
Quotes to Explore
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I think people are going to like my new shoes. I like them. I had a lot of success with the one last year, but this year's shoe is going to be a little different, but at the same time it's going to be a little spin-off on last year's shoe.
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I put pressure on myself all the time. I felt it so much with 'Sax,' but I had to just let go and enjoy it.
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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There was a time when I was practicing law in New York and I wanted to find something else to do. So I ended up leaving the practice of law to pursue my art and it just happened to be out of Lego bricks.
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The work that we do during the winter is very important; we have a new bike and it's important to develop it during this time, and we start with this test.
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But every company of the future is going to be in the business of exquisite care - which means quick turnaround time and convenience. To deliver exquisite care, you need an organization that coordinates well and listens well.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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I'm just a person who forgives and forgets. I have a hard time holding grudges.
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I'm shy. I am. I mean, if I get around, you know, in a room of a bunch of people especially I - you know, I don't know or - it takes me a while to warm up. I'm - and the real me, I'm not as witty as, you know, as the comic Wanda. The comic, she's had time to work on some things.
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When an accident or a crime happens, there's a period of time before the yellow tape goes up, before the official response becomes formalized. That allows the nightcrawlers to get very close.
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We played 'Girl in a Country Song' in front of Scott Borchetta, and he loved it.
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In New York, you walk everywhere, so you're amongst people all of the time, and everybody is in a hurry and going somewhere or has something on their minds. And in L.A., it's still much more of a laid-back life, at least in my experience.
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I think I've paid my dues. I've really put in a lot of time on set.
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Asian players train so hard. Most of the time, on Monday mornings, the only people you see on the range are Asians. I mean, only see Asians.
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You have to grow thick skin and that only comes with time and learning.
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People have different takes on clothes and what to wear and colors and all that stuff, so why make a big deal about uniformity? It took me a long time to grasp that particular concept, simply because I was coming from the James Brown thing. Again, I wouldn't trade that experience for anything.
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My dad was a big car guy. If you wanted to spend time with my dad, he was working on the car.
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Because our fight has been for such a long time we are isolated from the world, even after reconstruction we don't have much attention from people outside.
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A guitar is a very personal extension of the person playing it. You have to be emotionally and spiritually connected to your instrument. I'm very brutal on my instruments, but not all the time.
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I think there's a right time for everything, and I'm a true believer that everything happens for a reason.
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When I was handed a hammer, my first project was building a three-story tree house.
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The most ordinary Negro is a distinct gentleman, but it takes extraordinary training and opportunity to make the average white man anything but a hog.
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One must not cheat anyone, not even the world of its victory.
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When I play a song for someone the first time, if I make 'em laugh, I think, 'Yes, I've succeeded.'
