Tove Lo (Ebba Tove Elsa Nilsso) Quotes
When I play a song for someone the first time, if I make 'em laugh, I think, 'Yes, I've succeeded.'
Quotes to Explore
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I think people are going to like my new shoes. I like them. I had a lot of success with the one last year, but this year's shoe is going to be a little different, but at the same time it's going to be a little spin-off on last year's shoe.
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I put pressure on myself all the time. I felt it so much with 'Sax,' but I had to just let go and enjoy it.
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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There was a time when I was practicing law in New York and I wanted to find something else to do. So I ended up leaving the practice of law to pursue my art and it just happened to be out of Lego bricks.
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The work that we do during the winter is very important; we have a new bike and it's important to develop it during this time, and we start with this test.
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But every company of the future is going to be in the business of exquisite care - which means quick turnaround time and convenience. To deliver exquisite care, you need an organization that coordinates well and listens well.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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I'm just a person who forgives and forgets. I have a hard time holding grudges.
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I'm shy. I am. I mean, if I get around, you know, in a room of a bunch of people especially I - you know, I don't know or - it takes me a while to warm up. I'm - and the real me, I'm not as witty as, you know, as the comic Wanda. The comic, she's had time to work on some things.
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When an accident or a crime happens, there's a period of time before the yellow tape goes up, before the official response becomes formalized. That allows the nightcrawlers to get very close.
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We played 'Girl in a Country Song' in front of Scott Borchetta, and he loved it.
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In New York, you walk everywhere, so you're amongst people all of the time, and everybody is in a hurry and going somewhere or has something on their minds. And in L.A., it's still much more of a laid-back life, at least in my experience.
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I think I've paid my dues. I've really put in a lot of time on set.
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Asian players train so hard. Most of the time, on Monday mornings, the only people you see on the range are Asians. I mean, only see Asians.
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You have to grow thick skin and that only comes with time and learning.
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People have different takes on clothes and what to wear and colors and all that stuff, so why make a big deal about uniformity? It took me a long time to grasp that particular concept, simply because I was coming from the James Brown thing. Again, I wouldn't trade that experience for anything.
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My dad was a big car guy. If you wanted to spend time with my dad, he was working on the car.
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Because our fight has been for such a long time we are isolated from the world, even after reconstruction we don't have much attention from people outside.
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Practical men who believe themselves to be quite exempt from any intellectual influence, are usually the slaves of some defunct economist. Madmen in authority, who hear voices in the air, are distilling their frenzy from some academic scribbler of a few years back...
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I've had a wordless phase, and that's still not entirely over: what I sing is not always literally meant that way, and you can hear that in the way it is sung.
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Also, of course, for most of this time most Americans thought of America as a white country with, at best, only a very segregated and subordinate role for blacks.
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Don't express your ideas too clearly. Most people think little of what they understand, and venerate what they do not.
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When I play a song for someone the first time, if I make 'em laugh, I think, 'Yes, I've succeeded.'
