Tove Lo (Ebba Tove Elsa Nilsso) Quotes
I started to use music almost like a therapist, where it's like, everything that I don't really dare to say or speak about, I can sing about.
Quotes to Explore
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Nuclear power plants must be prepared to withstand everything from earthquakes to tsunamis, from fires to floods to acts of terrorism.
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I love playing live, I don't like studios all that much. I need the reaction of the audience.
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If you want to do stuff, you have to be able to handle controversy.
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We got orders to strike the Marshall and Gilbert Islands. We had a task force with the Enterprise. We had two or three cruisers and probably eight or 10 destroyers.
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You can always tell when a man's well informed. His views are pretty much like your own.
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I think it's important for girls to be confident. Believe in yourself and... everybody's hot.
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The mob spirit has grown with the increasing intelligence of the Afro-American.
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It's my deepest interest as an actor: I love discovering how human beings work, how their flaws reveal themselves - how to learn and grow from that - and how characters teach me things as a woman and as a parent.
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It is true that they paid much more attention to the trade unions because the trade unions were after all speaking for the rights and conditions of working men and women in their employment.
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As an actor, you don't want to play a one-dimensional character.
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The idea that modernisation makes for enhanced national power and rapid progress and helps everyone achieve greater happiness has its origins in the astonishing political, economic and military successes of western Europe in the 19th century.
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I call tennis the McDonald's of sport - you go in, they make a quick buck out of you, and you're out.
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If we were truly in the studio making a record, it would have been more time consuming, and certainly I would have been more involved in the writing process.
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I was born in Jerusalem in 1939 to a poor family that shared a rented four-room apartment with two additional families and their children.
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In 1990, when I had just arrived in New York City as a wet-behind-the-ears 20-something girl from Arizona, I spent a year or more working as the personal secretary and secret ghostwriter to an American-born countess in her apartment on the Upper East Side.
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People may think I'm crazy, but one of the ways I like to wind down my Friday is to get some of our household chores done, whether it's cleaning or doing a big food shop, so the house is all nice for the weekend.
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There are those people that eat to live and those that live to eat. I am of the latter, as many of you already know. To me, eating is an adventure.
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Music is my balance... center of my life.
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I saw David Bowie in 'Labyrinth' when I was seven or eight. I told my mom I wanted a Bowie record, so we traveled to the mainland, which was, like, a three-hour trip, and I bought 'Let's Dance' and 'Tonight.' 'Let's Dance' blew my little mind. I became obsessed with it.
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As a songwriter, I don't rush. I may sit on lyrics for two years before the music hits.
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Imagine your family finally making it from nothing to something, and finally getting things going, and finally buying a beautiful house and taking care of your children - and the next day, it's completely all gone. Zero. Boom. Flat broke. So that's when I had to man up.
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We might be shifting away from a Eurocentric view of the United States into something that's much more multicultural, multinational, and Chinese food is just one slice of that.
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The music scene as I look at it today is a little different from when I was growing up. The percentages are roughly the same - 95 percent rubbish, 5 percent pure.
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I started to use music almost like a therapist, where it's like, everything that I don't really dare to say or speak about, I can sing about.
