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I'm very realistic in my outlook on everything in life. When I look ahead in my mind to see what's going to happen next, I see the good and I see the bad.
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If things aren't going well, music is what I turn to so I can get away from it, to take my mind somewhere else.
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I took classical piano for a couple of years, but I sort of lost interest - I couldn't read a note today if I tried. I still enjoy that stuff, and I think I naturally gravitate towards the classical licks; in fact, I know that I do. I gravitate towards the classical licks that I heard by famous old composers.
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If you listen to my tapes, you'd hear 14 different ways to arrange the rhythm guitar behind the harmony vocal, and then 14 different ways with a different vocal. You'd have to really be a music lover to sit through that and find it entertaining. I enjoy it, but I'm easy to please.
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Most people live their life around what other people do.
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Musical accidents are a gold mine. The thing about accidental discoveries is they won't be made unless you put yourself in a position to make that discovery. To do that means hundreds of hours, days and weeks where you do things and don't discover anything.
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And sometimes I actually start to think human life is just as cheap to corporate America as animal life, so long as there are big profits to be made.
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I'm never too ambitious when I go into the studio. I always know that I'm just going into the studio to work on or try to develop an idea that I have for a song.
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People have been convinced that growth for growth's sake is a good thing.
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I'm not one of those artists who doesn't want to play their most popular songs.
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The whole experience of getting an album from an artist you like and listening to it from beginning to end is sort of gone. Now it's piecemeal.
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Turning corporations loose and letting the profit motive run amok is not a prescription for a more livable world.
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I can sit down at a piano or with a guitar and just chug away for hours and be perfectly content with whatever comes out. But when it comes to something that somebody else is going to listen to, then I do feel a great deal of pressure to do something that's exceptional, at least in what I consider to be at the limits of what I can do.
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I was a fixer, a builder - an inventor - ever since I can remember.
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I was basically a dork that hit the books and liked to build things and did all of the things that you weren't supposed to do to be popular. But somehow I ended up onstage, playing guitar in front of everybody else.
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I will say that I know Nirvana did a show and played a few chords from 'More Than a Feeling' before they did 'Teen Spirit,' and it wasn't very good. But in all seriousness, 'Teen Spirit' was a great song. If subconsciously or somehow I had any influence on that, I'll take that as a compliment.
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The public has been sold a bill of goods about the free market being a panacea for mankind.
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Virtually every magazine, newspaper, TV station and cable channel is owned by a big corporation, and they've squashed stories that they don't want the public to know about.
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We need a free media, not just freedom of speech.
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I don't listen to the radio in the car, and I do that because I don't want to be influenced.
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I don't work out a lead section and practice it for a day and then lay it down. I don't do that. The first time I do something I think is expressive or really cool, that's what's actually on the recording.
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There are an awful lot of people out there that don't want to see Boston go away, and I'm one of them.
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I think the Sierra Club is the environmental group that has the best chance of really accomplishing things. It's well known, and it actually gets down to doing the dirty work of protecting the environment.
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When I first started recording, I was told by all of the experts in the business that the kind of music that I was doing was never going to sell. That disco was the coming thing and it was going to take over and what I was interested in was a minor sideline.