Tom Scholz Quotes
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I'm one of those artists that doesn't actually hate my old hits. I love Boston music. I really like 'More than a Feeling.' After playing it to myself in a basement for such a long time, I'm happy to do it out on stage.
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I took classical piano for a couple of years, but I sort of lost interest - I couldn't read a note today if I tried. I still enjoy that stuff, and I think I naturally gravitate towards the classical licks; in fact, I know that I do. I gravitate towards the classical licks that I heard by famous old composers.
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If you listen to my tapes, you'd hear 14 different ways to arrange the rhythm guitar behind the harmony vocal, and then 14 different ways with a different vocal. You'd have to really be a music lover to sit through that and find it entertaining. I enjoy it, but I'm easy to please.
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If things aren't going well, music is what I turn to so I can get away from it, to take my mind somewhere else.
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Most people live their life around what other people do.
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Musical accidents are a gold mine. The thing about accidental discoveries is they won't be made unless you put yourself in a position to make that discovery. To do that means hundreds of hours, days and weeks where you do things and don't discover anything.
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I'm never too ambitious when I go into the studio. I always know that I'm just going into the studio to work on or try to develop an idea that I have for a song.
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And sometimes I actually start to think human life is just as cheap to corporate America as animal life, so long as there are big profits to be made.
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People have been convinced that growth for growth's sake is a good thing.
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I'm not one of those artists who doesn't want to play their most popular songs.
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The whole experience of getting an album from an artist you like and listening to it from beginning to end is sort of gone. Now it's piecemeal.
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I will say that I know Nirvana did a show and played a few chords from 'More Than a Feeling' before they did 'Teen Spirit,' and it wasn't very good. But in all seriousness, 'Teen Spirit' was a great song. If subconsciously or somehow I had any influence on that, I'll take that as a compliment.
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I was a fixer, a builder - an inventor - ever since I can remember.
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The public has been sold a bill of goods about the free market being a panacea for mankind.
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I was basically a dork that hit the books and liked to build things and did all of the things that you weren't supposed to do to be popular. But somehow I ended up onstage, playing guitar in front of everybody else.
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Turning corporations loose and letting the profit motive run amok is not a prescription for a more livable world.
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I can sit down at a piano or with a guitar and just chug away for hours and be perfectly content with whatever comes out. But when it comes to something that somebody else is going to listen to, then I do feel a great deal of pressure to do something that's exceptional, at least in what I consider to be at the limits of what I can do.
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We need a free media, not just freedom of speech.
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Virtually every magazine, newspaper, TV station and cable channel is owned by a big corporation, and they've squashed stories that they don't want the public to know about.
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I don't work out a lead section and practice it for a day and then lay it down. I don't do that. The first time I do something I think is expressive or really cool, that's what's actually on the recording.
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I don't listen to the radio in the car, and I do that because I don't want to be influenced.
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There are an awful lot of people out there that don't want to see Boston go away, and I'm one of them.
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'Higher Power' was the result of a personal experience: a friend of mine who went through the process of addiction and recovery. It's a very, very tough thing - very easy to become addicted and very, very hard to become a recovering addict.
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When I first started recording, I was told by all of the experts in the business that the kind of music that I was doing was never going to sell. That disco was the coming thing and it was going to take over and what I was interested in was a minor sideline.