Gary Rossington Quotes
Buffalo Springfield had three guitar players, and we thought they were so cool. So we started doing the three-guitar thing, and people started calling us the 'guitar army' and all this stuff.
Quotes to Explore
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We must develop huge demonstrations, because the world is used to big dramatic affairs. They think in terms of hundreds of thousands and millions and billions... Billions of dollars are appropriated at the twinkling of an eye. Nothing little counts.
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I quite like Low, the band from Minnesota. They're absolutely mesmerizing. I get much the same feeling from anything that Will Oldham does.
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Being typecast is the enemy of any actor, so if you can try to do something that flips on the head peoples' ideas of who you are or what you can do, that's my biggest aim.
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Success is not like a cake that needs to be divided. It's more like a heap of stones - a cairn. If someone is successful, they add a stone to the cairn. It gets very high and can be seen from all over the world. That's how I see it.
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My mum was a child minder, but now she fosters. My dad was in the police force, and now he's a private detective.
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I have to stay calm, cool, and collected.
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We are a very big and vast Government, and naturally, every ministry is becoming bigger and bigger. It becomes, therefore, essential that there should be proper coordination.
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I had been writing songs for other people for a while, and I made a demo and I put it on my Myspace, which Perez Hilton found and blogged about on his site.
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Allow children to be happy in their own way, for what better way will they find?
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I love books.
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It only looks like I get to eat a lot of food on TV. I really just get the one bite and the crew and guests eat everything else.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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Well, an actor is an actor is actor, to paraphrase someone or other and the opportunity to work, to have a steady engagement, certainly seemed like an appealing concept to me.
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When you sample something, you're using the crutch of borrowing chords and melodies from a song that's already great, that's already stood the test of time, that's already special. When you're trying to do it all from scratch, you're writing something brand new that has to stand on its own.
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I would say that to put architecture in the chain of history, to be able to interpret and understand why we are where we are, is quite crucial.
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My happiest memory of childhood was my first birthday in reform school. This teacher took an interest in me. In fact, he gave me the first birthday presents I ever got: a box of Cracker Jacks and a can of ABC shoe polish.
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Our house was awash in books, and my mother doled out her favorites like they were special treats - which they were.
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I feel very strongly that you can't just beat people up anymore; you have to work hand in hand and find ways to compromise, and get big business involved, because it won't happen otherwise.
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When I was quite young... I began to suspect there must be flaws in my sense of reality. It seemed to my dim sense of confusion that things often blended one into another, and the Law of Excluded Middle merely opened up a void wherein anything was possible. But I had been produced to focus on objects (things) and not on systems (processes).
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Being a reporter seems a ticket out to the world.
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I got on stage for the first time when I was seven. From seven until I was about nine it was probably more to do with just being on stage and having the attention.
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When people think about reparations, they immediately think about people who've been dead for 100 years.
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I made 'Prozac Nation' necessary reading because I write necessarily. I tell my story because it is about everyone else: in 1993, people took pills to relieve the pain just like they do now, but it scared them; it doesn't any more, because talk is not cheap at all - it is tender.
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Buffalo Springfield had three guitar players, and we thought they were so cool. So we started doing the three-guitar thing, and people started calling us the 'guitar army' and all this stuff.
