Ella Mai Quotes
Quotes to Explore
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In order to acquire a growing and lasting respect in society, it is a good thing, if you possess great talent, to give, early in your youth, a very hard kick to the right shin of the society that you love. After that, be a snob.
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Corporations take the humanity out of trade - they take the happiness out and replace it with something that is ugly.
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When you can throw 97 miles an hour and put the ball over the plate anytime you want, it's fun.
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Love shouldn't be about jealousy or anything like that. It should be about commitment and being able to trust that person. If you can't have that from the get-go, there's a problem.
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We recognized in 1996 that, with progress in the field of genetics accelerating at a breathtaking pace, we need to ensure that advances in treatment and prevention of disease do not constitute a new basis for discrimination.
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Even before it opened its retail arm, Beigh was renowned among pashmina cognoscenti for the quality and complexity of the work produced in its workshop, a large, airy, sunlit rectangle of a room directly across from its second-floor shop.
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Long Kiss Goodnight has a huge cult following. They could make another version of that movie right now and make a lot of money.
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I am busier now than I ever imagined I would be, but I feel blessed in that I have found what I am supposed to be doing with my life. It's wonderful to tell stories and have people listen to them.
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For many, the hijab represents modesty, piety and devotion to God, and I truly respect that. But the hijab should not be used as a means of applying social pressure on people.
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I learned that five- and-six-year-old kids have already figured out how to be intolerant.
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Polenta is to northern Italy what bread is to Tuscany, what pasta is to Emilia-Romagna and what rice is to the Veneto: easy to make, hungry to absorb other flavours, and hugely versatile.
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Some things have to be believed to be seen.
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It seems that no two people came to this specialized area of work via the exact same route.
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I like writing. It's partly control freak, and partly I really like what I do for a living. I have the luckiest job in the world. I can get up every day and do what I love for a living.
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It's weird: for someone who mostly really exists online, I'm actually not very interested in the Internet at all.
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The core of my personality consists of many selves.
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In business, every phase of things counts. Companies that just yell out a low price today to win business aren't going to make money in the long term.
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If I'm on holiday, I'm active on the beach, I play tennis, I run, I swim a lot. It's just about making the workouts fun, I think, and then it doesn't really feel that bad.
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Actors who perhaps are super-confident and have absolute belief in themselves I always admire, because I can't really be like that. Because you never know what's right: what you feel inside versus what is portrayed.
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As soon as you think you can do whatever you want and you have whatever great professional in the world waiting to work with you, then you are sunk.
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When you go to Nashville and start co-writing, you start doing it as a job and the more you do it the better you get. You know if you build houses for 30 years you're better than you were the day you started. You know the ins and outs, you know all the nuances.
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My concern 99% is about the storytelling, the emotion and all this. I never think about the format of anything until way far in the process and when we arrive to the fabrication of the thing then we start to say, "Okay right, what is the best thing we can do." I choose the car before to choose the color.
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My interviews are very pointed. I'm an active participant; I will kindly interrupt people. But I've learned there is nothing people won't tell you if you ask in a compassionate and legitimately interested way.
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I always say that when you have friends that are girls, you tell each other everything.
