Neil Peart Quotes
For me, drum elements are like hieroglyphics - I think of a certain physical figure, and a little three-dimensional glyph will appear in my mind as I'm playing.
Quotes to Explore
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My background playing soccer gave me a natural advantage over many of the American-born players.
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Shoaib Akhtar has been playing for 5, 6 years and is an experienced bowler.
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But I guess I like playing flawed guys 'cause it gives a place for the characters to go.
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I just love playing in major championships.
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I got tired of different drum sounds so you buy different effects for more manipulation.
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I stopped playing in Jr. events when I was 12 and played women's.
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I have always found myself playing the hero, but I love villains. Villains have more fun.
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Yes, I love playing Mom.
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My whole career I'm used to playing a lot of games.
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I started playing the trumpet when I was about eight.
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I learned a lot from playing those late-night, 1-to-4 A.M. gigs with my band, and playing when no one was listening.
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I don't mind playing bad guys, but I love having the opportunity to play all different types of characters.
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If the Cowboys and Titans ain't playing, I'm not interested.
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I started rapping when I was about 12 or 13, just playing around with it.
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The initial notion for 'Check Your Head' was just all three of us getting back to playing instruments.
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We've got a lot more Polynesians playing rugby in Australia now.
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(The fielders are) just sitting out there playing jacks on the carpet, and the next thing you know the ball gets hit to them, and they can't get to it because you've put them to sleep.
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I was playing a part of someone dealing dope on a street corner - and there was a guy actually dealing heroin right there. I looked at him, he looked at me, and I got real confused.
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I was playing guitar before I heard The Beatles, but as I got older and listened to their tunes I realized they were amazing. They inspire me more now than they did when I was a kid and are still the greatest.
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I want guys that when you’re playing tag are never it.
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Making movies is all about compromise, negotiation, and sacrifice, but the process helps you distill what's really important to you, and once you have identified what those these things are for any particular sequence, you hold onto them and don't let them go.
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There was a lot of stones what the builders refused. I think I was one of the stones what many builders did refuse.
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For me, drum elements are like hieroglyphics - I think of a certain physical figure, and a little three-dimensional glyph will appear in my mind as I'm playing.
