Neil Peart Quotes
Like a steely blade in a silken sheathWe don't see what they're made ofThey shout about love, but when push comes to shoveThey live for the things they're afraid ofAnd the knowledge that they fear is a weapon to be used against them...- The Weapon (Part II of 'Fear') (1982)
Quotes to Explore
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The will is commendable though the ability may be wanting.
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Brave men do not gather by thousands to torture and murder a single individual, so gagged and bound he cannot make even feeble resistance or defense.
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I have thought a sufficient measure of civilization is the influence of good women.
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Some days the competition would beat me and I'd go home thinking awful thoughts, want to hide under the bed, depressed. But of course, in the news business, when you're working a daily news broadcast, you get your victories and defeats every day.
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You don't have to be desperate. Never be desperate. That is my slogan.
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Many artists and writers have used cannabis for creative stimulation - from the writers of the world's religious masterpieces to our most irreverent satirists.
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I mask every single day. I mask every morning - since I was 27 years old. I don't care the brand: it can be from the drugstore or high end. I can be walking my dog in the mask scaring children and people off, but it's my routine that I commit to every single day.
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I would definitely like to start a family because it's the most important thing in the world and what you should take care of, along with your friends and the people you love.
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I do not believe any president can bind a successor president to give up his fundamental role as protector of the country.
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I'm a kind person; I don't have a really nihilist streak in me, but I respond to that kind of humour.
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As an actor, I've always said, half the audience is going to love you, half is going to hate you so just live with it. It's easier that way.
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We wanted to describe society from our Left point of view. Per had written political books, but they'd only sold 300 copies. We realised that people read crime and through the stories we could show the reader that under the official image of welfare-state Sweden there was another layer of poverty, criminality and brutality.
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I am Cuban, my parents are Cuban, and I was not adopted.
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You are not alone with a guy until you are a proper age. You don't go to certain levels with men until you are married or you have a certain relationship.
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But freedom, liberty, is an attribute of the soul and it may exist even when the body is in bondage.
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In the hands of a passive-aggressive person who wants to abdicate responsibility for things, texting is a great tool. You can really go nuts.
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I never intended for the Monster Ball to be a religious experience, it just became one.
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Dying in the sanitary environment of a hospital is a relatively new concept. In the late 19th century, dying at a hospital was reserved for people who had nothing and no one. Given the choice, a person wanted to die at home in their bed, surrounded by friends and family.
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I wasn’t raised, I was built.
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The question was, in a sense, at Princeton Review, how much value was I adding as a public company CEO. I was adding less than other people might've... I think you want to move on when you've given your best work and then feel that you're not going to add as much value moving forward.
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When I first signed on to play Tommen, I started speculating about when he was going to die. I sort of knew he wouldn't be the last one on the throne, but Tommen doesn't really deserve to have his throat slit or his stomach jabbed. In a way, Tommen died the way he was - it was a peaceful death.
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It's all about creating a back story for the character and developing emotional responses that are true to life in relation to the character. It isn't necessary to live a tragic life to create from that place.
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Like a steely blade in a silken sheathWe don't see what they're made ofThey shout about love, but when push comes to shoveThey live for the things they're afraid ofAnd the knowledge that they fear is a weapon to be used against them...- The Weapon (Part II of 'Fear') (1982)
