John Fogerty Quotes
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I ain't got no time for a Caribbean cruise, just give me a song and a beer.
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I'm now comfortable playing a lot of the old songs, and I've gotten out a lot of the old equipment.
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With the Michael Moore movie, certain conservative talk show hosts call him un-American. Him and anybody else who says anything about the war... To question your country's policy, especially in a war that kills people, is definitely not un-American. It's probably the most patriotic thing you can do.
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I thought what I was good at doing was playing real simple guitar licks, since I'd cut my teeth on what Duane Eddy was doing; licks that were simple but had staying power.
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Big train from Memphis, now it's gone gone gone, gone gone gone. Like no one before, he let out a roar, and I just had to tag along.
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You evil thing, why do you haunt me?
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You should play with real musicians; the best music comes from real people interacting with each other.
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I think at times the very strong feelings I have about my country coincide with my musical ability, and I'm able to actually turn it into music, a song or even hopefully a memorable song, sometimes. You may find it surprising, but I'm a very intense, proud American. I love being an American.
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Other people want a career or success because they think that will help them find their personal life somewhere. I've done it the other way around. What I have is what everybody else is looking for. I know I've got it made. I know I'm a very lucky man. That came first. Then the music and the career just kind of took care of themselves.
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I've studied a lot of great people over the years - Pete Seeger, James Brown - and tried to incorporate elements that I've admired, though I can't say I dance like James.
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I loved Western Swing and Hank Williams' music, and I now know that it's a 6th tuning that gives you all of those classic licks.
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You got to hidey-hide, you got to jump and run again. You got to hide-hidey-hide, the old man is down the road.
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As a songwriter, I try not to be sloppy; same with the music. You can be very lean, very efficient, so you're not wasting a lot of time getting' to the point. You're saying it with as pure a word or phrase as you can. That's the part that was craft. You refine and refine and refine. Maybe that's why the songs still hang on, because they're very pure. For one thing, they're very short. "Bad Moon Rising" is like 2 minutes and 12 seconds. I would try to do everything as quickly and with as little extra as possible. It was a challenge.
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When the bad stuff was really intense in my life, it was really what you would call writer's block. Your facility is just not as good because you feel so bad. I've heard of people right on the verge of suicide coming up with some of their best work. I wish I could think of an example, other than Van Gogh, perhaps!
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I usually destroy unreleased material. It has a way of coming back to haunt you.
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I'm just made differently. Man, I just love being an American, I love my country. But it happened to me during the Nixon time, especially pre-Watergate, that as I watched Nixon for the first time in my life I felt shame. I had to analyze myself. What is this emotion? I realized that my government was separate from my country. It was the first time I ever felt ashamed of the government, not the country.
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Vanz can't dance, but he'll steal your money.
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I feel happy about the songs I've written. I'm a great lover of the craft of songwriting, and I sure admire it in other people when I see it – past and present. I feel comfortable with what I have accomplished. I feel happy to be able to work in that environment, and that I have a lot of songs left to be written, somewhere.
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For years I walked around with the phrase "Green River" because I had seen that on a soda fountain drink when I was probably 8 or 9 years old, and I went, 'Gee, I like that.' Another one was "Lodi", which I thought sounded really cool. I got this cheap little empty plastic notebook at my local drugstore, and bought a little slab of filler paper and the very first title I wrote in it was "Proud Mary". I had no idea what that title meant.
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Usually I just let my songs do the talking. As a matter of fact I have long had an aversion to celebrities endorsing politics, and in some cases even other causes. I wonder about their motives. And I have to admit when celebrities get involved in political campaigns I tend to get a little bit sarcastic about it.
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It just seemed like all the records I have made since Creedence Clearwater Revival have all been sort of pushed off center. I felt like I was dancing around the outskirts of what is my true center. With this album, I really wanted to stay on the mark, right in the middle, right where rock 'n' roll is. I wanted this one to be easier, a lot more fun than some of the past records have been.
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When I'm standing at the Pearly Gates, I want to say to God, 'Don't look at the records. Look at my family. I'm much prouder about that part.'
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I was deluding myself that the song was almost not important, but I think the real thing that was happening was almost like self-hypnosis or mediation. The guitar lick was the transcendental key that unlocked my brain. It freed me. And then it all became easy. It's funny now, because I've had times when it wasn't easy.
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No, but I've always felt that with true talent, and a commitment to hard work, it is possible to achieve an enduring respect and appreciation. In other words, I don't take my fans for granted.