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Here was irrefutable proof that he was using the Holocaust to speak of the extermination of animal life. Doomed creatures that could not speak for themselves were being given the voice of a most articulate people who had been similarly doomed. He was seeing the tragic fate of animals through the tragic fate of Jews. The Holocaust as allegory.
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Survival starts by paying attention to what is close at hand and immediate. To look out with idle hope is tantamount to dreaming one's life away.
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A movie will do in one second, with one image, what it will take a novelist at least a page to describe.
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The idea of a flip book still really appeals to me. That idea of fiction and non-fiction.
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I spent more hours than I can count a quiet witness to the highly mannered, manifold expressions of life that grace our planet. It is something so bright, loud, weird and delicate as to stupefy the senses.
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I cannot think of a better way to spread the faith. No thundering from a pulpit, no condemnation from bad churches, no peer pressure, just a book of scripture quietly waiting to say hello, as gentle and powerful as a little girl's kiss on your cheek.
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Why do people move? What makes them uproot and leave everything they've known for a great unknown beyond the horizon? ... The answer is the same the world over: people move in the hope of a better life.
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I know what you want. You want a story that won't surprise you. That will confirm what you already know. That won't make you see higher or further or differently. You want a flat story. An immobile story. You want dry, yeastless factuality.
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I applied my reason at every moment. Reason is excellent for getting food, clothing and shelter. Reason is the very best tool kit. Nothing beats reason for keeping tigers away. But be excessively reasonable and you risk throwing out the universe with the bathwater.
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I'm not a consumer. I hate buying clothes. I don't have a mobile. I just don't need things. I don't like things.
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You can't quantify human pain the way you can measure out sugar. Death comes one individual at a time.
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I meet a number of people as a writer of fiction who say "Oh, I don't read much fiction," as if the history of the United States, just as an example, isn't an exercise in storytelling and myth-making.
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The language of prose is very different than the language of cinema, so the movie has to successfully translate what was in the book.
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I write slowly.
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Books are something social - a writer speaking to a reader - so I think making the reading of a book the center of a social event, the meeting of a book club, is a brilliant idea.
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'Bapu Gandhi said, 'All religions are true.' I just want to love God,' I blurted out, and looked down, red in the face.
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To my mind, faith is like being in the sun. When you are in the sun, can you avoid creating a shadow? Can you shake that area of darkness that clings to you, always shaped like you, as if constantly to remind you of yourself? You can't. This shadow is doubt. And it goes wherever you go as long as you stay in the sun. And who wouldn't want to be in the sun?
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For evil in the open is but evil from within that has been let out. The main battlefield for good is not the open ground of the public arena but the small clearing of each heart.
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My next book - each one while I'm working on it - dances in my mind and thrills me at every turn. If it didn't, why would I write it?
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...if you fall into a lion's pit, the reason the lion will tear you to pieces is not because it's hungry-be assured, zoo animals are amply fed-or because it's bloodthirsty, but because you've invaded it's territory.
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Was it the forgetfulness of old age or personal incapacity that made the man able to say please but not thank you?
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I'm looking at a dead event and trying to give it new life. In a sense, I'm a taxidermist.
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Every book I've written has been a different attempt to understand something, and the success or failure of the previous one is irrelevant. I write the book I want.
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My suffering left me sad and gloomy.