Yami Gautam Quotes
Quotes to Explore
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I don't see pitches down the middle anymore - not even in batting practice.
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In 2005, I had one more year of college left, and I was taking a summer class in Barbados. I got discovered in the airport on my way back and started modeling at the beginning of my senior year at Bucknell.
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I seriously object to seeing on the screen what belongs in the bedroom.
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Every morning I wake up and thank God.
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Usually it is uses of words, not words in themselves, that are properly called vague.
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I was a fat kid who didn't discover the joys of active play at the time of life when we're supposed to be imprinted with a love of movement. That means that I'd rather be called for jury duty than go to the gym, but I go anyway.
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Pakistan is not a rogue state, but it harbours and covertly supports rogue elements. While war is not the answer, hard or coercive diplomacy could be.
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Leaders cannot work in a vacuum. They may take on larger, seemingly more important roles in an organization, but this does not exclude them from asking for and using feedback. In fact, a leader arguably needs feedback more so than anyone else. It's what helps a leader respond appropriately to events in pursuit of successful outcomes.
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When something is at risk or in danger or about to be lost, those are the moments you start to realize how much it means to you.
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We have to still develop the Ikea group. We need many billions of Swiss francs to take on China or Russia.
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Credit you give yourself is not worth having.
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Whatever our bedtime was as kids, we could stay up an extra half hour if we were reading. My parents didn't care as long as I was under the spell of a Stephen King or a Douglas Adams. Now I read in bed. I read at work. I read standing in line. It's like, 'Hello, my name is Nathan and I am a reader.'
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We do a lot of outbound work where we're talking about the future. As we get involved with these new products, it helps us have a platform to talk about where the future is going.
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I believe there is little to gain by exchanging opinions with other artists concerning either the ideology of art or technical methods.
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The future rewards those who press on. I don't have time to feel sorry for myself. I don't have time to complain. I'm going to press on.
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All the big online retailers are looking at how to enter the Russian market.
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People have given me the freedom and believe in me enough to say if I want to do these things that I will find a way to make it work. I don't know if they think I'm crazy, drug damaged or just an old weirdo.
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With every film that you do, you're always so nervous. You feel exposed because you know people will see this eventually. You sort of have to put all that out of your head. What will be will be. But it's nerve wracking.
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Where the Truth Lies rating has a lot more to do with the political climate in America today than it does with the film. It wouldn't have had this rating five years ago. There's nothing graphic in this film on screen; you can look at it, but you won't be able to see it, it's not there. There's nothing graphic sexually that's not about the story telling.
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The message was always, 'It's good to be pretty, but don't look like you're trying to be pretty!' Inherent in that is a lot of misogyny, I think, because the implication is, 'You must work hard to achieve a feminine ideal for which society has nothing but contempt.'
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Big pay and little responsibility are circumstances seldom found together.
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Margaret Atwood and Ursula K. Le Guin were the biggest inspirations for my work because they trod into areas considered to be owned by male writers and created these worlds that are infused with an understanding of so much more than just technology.
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Even if it doesn't work out, the experience is so valuable to so many employers that your worst case scenario is, 'Ok, so that was a bust, I'll get a six-figure job at whatever company.' Risk is this outmoded idea - your parents might not understand that, but taking these types of risks doesn't have a downside.
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I have always done work to which my heart says yes.
