Erykah Badu (Erica Abi Wrigh) Quotes
I think that when Riccardo Tisci wanted to bring more attention to the lack of African American presence on the runway, he also wanted to bring attention to the lack of a sensibility of African and Asian art.
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Now I'm back home, living in London, running my theater. I just want to enjoy all that.
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Any form of art is political if you make it that way.
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I am now in a position to choose roles. I did not have so many offers before 'Queen,' but now things have changed a lot.
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In my industry, it's important to have people I look to for different things: guidance, inspiration and motivation.
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I think that I am seeing the Internet and seeing technology take and seeing how the work I do through music directly affects people's lives better than any politician I've ever met.
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We're born alone, we live alone, we die alone. Only through our love and friendship can we create the illusion for the moment that we're not alone.
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You need to have people within your own party that have the wherewithal to stand up to you.
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Whether it comes from a despotic sovereign or an elected president, from a murderous general or a beloved leader, I see power as an inhuman and hateful phenomenon.
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All I remember is the last time I played a videogame, it was Space Invaders.
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I'm not one icon. I'm every icon. I'm an icon that is made out of all the colors on the palette at every time. I have no restrictions. No restrictions.
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I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
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I think Gore does have to worry. He is tied to Bill Clinton. We know that there were telephone calls that he made from his office. We know that there were visits to the Buddhist temple.
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We may be in a tough time right now, but when we are in a tough time is when our movement gets really strong.
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I have a lot of blurring between fiction and non-fiction in so many of my works. For example, my first novel, 'When Nietzsche Wept,' has a great deal of non-fiction in it. I didn't create many characters at all. Almost all of them are historical characters that actually existed.
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The progress of an artist is a continual self-sacrifice, a continual extinction of personality.
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Pigeons are among the most maligned urban wildlife despite the fact that human beings brought them to our shores and turned them loose in our cities - not something that they chose.
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Sometimes his methods are questionable, and even his morals are questionable, but his intention is always to protect Sydney. So in that way I think he's a good parent.
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'Deadline' is the story of a young man forced to discover who he is, and what's important in life, during the short span of his senior year in high school.
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L.A. is still such a fascinating place to me, so big and diverse. It's so spread out that you can go from Zuma to downtown and there's really like 10 different towns in between.
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You can put the greatest seafood restaurant next to an average steak house in an urban area, and that steak house will do more business than the seafood place. If you go to the water, you can put an average seafood place next to the greatest steak house, and people are going to eat seafood.
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I lived in America for a long time before I started working as an actor. Some actors show up on set and have never done an American accent before, so they rely on a slew of technical mechanisms. Part of what makes an accent is understanding why people speak that way - you have to understand the culture.
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I think that when Riccardo Tisci wanted to bring more attention to the lack of African American presence on the runway, he also wanted to bring attention to the lack of a sensibility of African and Asian art.
