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I was the bohemian in my family, the "this is my favorite shoe and I don't care if it has tape around it" kind of person. The tape could become a fashion statement. Or a political statement.
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We're all friends, inside the music and outside the music. I mean, we don't sound anything alike, we don't approach our music anything alike, but we come from the same genuine place. We want our music to be real and we don't want to compromise our art.
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The girls just like to be in the shoes. They like to scuff up the floors and walk around in high-heeled shoes that are too big for them, all over the house.
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I planned my success. I knew it was going to happen.
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I'm just being who I am and expressing myself as everyone else does.
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Well, if you look at all of the cultures in America, this is a great opportunity for us to really get acquainted with the rest of the world. America is the only place you can do that, but we don't have sense enough to take advantage of that.
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I'm a product of its [american] teaching, of its thinking, of its -isms, of its religion, of its education. I am conditioned, raised and developed by America; I am America. And as it changes, my thoughts also change. Because no matter what I believe, what the powers-that-be believe will affect me.
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I strongly believe that the more positive my vibration is, the clearer my message will be. I keep my negative thoughts from infiltrating my pathway and my dreams. Other people's thoughts are none of my business.
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I'm free. I just do what I want, say what I want, say how I feel, and I don't try to hurt nobody. I just try to make sure that I don't compromise my art in any kind of way, and I think people respect that.
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I have a Pinterest, and if you look there you'll see the things I really like and adore, have crushes on, and there's a lot of stuff from Riccardo's [Tisci] line on there.
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People who say that music is dead or hip-hop is dead are refusing to evolve.
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I think what makes people think that is because of things people write. It really doesn't have anything to do with the artist.
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I got a call from a mutual friend of ours, Charles King, who's also the executive producer. [Steven Caple Jr and I] had a conversation about it. I read it. We kind of finished each other's sentences when it came to the nuances and personality flaws that the character had, and some stereotypes and things we were trying to stay away from. We agreed on that as well. He just kind of allowed me to run rampant with the ideas. As we paced ourselves through, we developed Turquoise.
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My girls are very fashionable. They have a very good eye for marrying style and fashion.
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Honey isn't really that good for you.
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I come from a long line of matriarchal women, and my greatest teachers were my mothers.
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I have a pair of blue pants that were my favorite for a while and were a part of my show uniform - every night, you know.
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It's just that little box in the middle of Fort Greene, Brooklyn. Most of the time I go I don't even leave that apartment. I have just enough: a little bed, a little kitchen with two pots. I make some tea and I look out the window or just lay down.
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I just keep going. When the water's too still, I start splashing around and things jump out of the water.
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Be you. Make sure you're saying something when you're saying something. It's important to sound like you, to feel like you, to be like you. Be you.
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Hip-hop was created out of necessity. We needed to create some digitized things to help us understand what we were feeling.
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I go through phases of stuff.
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I consider my musical ability to be a gift from the Creator. It's not that I try to work hard or nothing like that, it's a gift, it was given to me, and I appreciate it.
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I've had two children. I've had three boyfriends. I've had a lot of things happen that can change your opinions and values and philosophies.