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My driving philosophy about making music is that you can reduce it all down to one note if that note is played with the right kind of sincerity.
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When I look for what I'm going to listen to I go backwards. I'm always going the other way you see. Most people are trying to figure out 'how do I get in the fast lane going that way?'. I'm going in the other direction. I wanna find the oldest thing to do.
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'My Father's Eyes' is very personal. I realized that the closest I ever came to looking in my father's eyes was when I looked into my son's eyes.
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But the guitar, when you think about it, is the most versatile, really. I mean you can pick it up and take it with you wherever you go.
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The Yardbirds came in to the Crawdaddy Club a week after the Stones finished their Sunday night residency. They had done it for almost a year, I think, and then we did it for a year. It was better when they were playing there because when they went they took half the crowd with them and it took us quite a while to build up our own following.
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I never set myself too high a goal. It was always tone and feeling, for me.
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It's very dependent on your state of mind. And your emotional state as well. And a lot of it comes pouring out, you don't really have that much control with it.