Michael Stipe (John Michael Stipe) Quotes
I simply constructed a project to try to snap Kurt [Cobain] out of a frame of mind. I sent him a plane ticket and a driver, and he tacked the plane ticket to the wall in the bedroom and the driver sat outside the house for 10 hours. Kurt wouldn't come out and wouldn't answer the phone.
Quotes to Explore
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David James Elliott and I keep in touch via phone.
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I'm a total loner. I can't even answer texts or take my phone with me when I'm working!
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I'm hopeless by e-mail, by phone, by text.
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I'm bad at returning phone calls.
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He was so honest you could play craps with him over the phone.
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Don't write anything you can phone. Don't phone anything you can talk. Don't talk anything you can whisper. Don't whisper anything you can smile. Don't smile anything you can nod. Don't nod anything you can wink.
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I've got Colin Firth's number in my phone!
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When I did a high-profile project, I was not the developer of it.
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We do not project power from bankruptcy court. We're borrowing a million dollars a minute. It's got to stop somewhere.
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I like to reinvent with each project, in any which way possible.
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The West has demonstrated its ability in the past to project power and move troops to distant regions.
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I would like the thrill of making a new project every time.
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When I was eleven, I got cast in the last directorial project of Christopher Reeve.
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The killjoys initiated automobile crash standards so rigorous that we can't buy a car that hasn't been dropped from the top of a phone pole with our whole family strapped inside.
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What really excites me in a project is when it goes in a way you haven't been before.
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Everything can't be a postage-stamp-sized project. Everything can't be a chamber piece. Musicals aren't even meant to be that, or identified with it... It's none of it simple.
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I feel like I've really earnt my stripes - I feel ready to play a lead. I would just love to prove I'm good enough to carry a project.
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Every film I do, I'm involved with from the very conception of the project.
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Position yourself as a center of influence, the one who knows the movers and shakers. People will respond to that, and you'll soon become what you project.
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Tough love is the hardest to give.
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Actors in general have some place in them that can be sensitive and easily damaged: not damaged in a bad way, but insecurity, because that's what it breeds, especially in females and female-lead types.
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I simply constructed a project to try to snap Kurt [Cobain] out of a frame of mind. I sent him a plane ticket and a driver, and he tacked the plane ticket to the wall in the bedroom and the driver sat outside the house for 10 hours. Kurt wouldn't come out and wouldn't answer the phone.
