R.E.M. Quotes
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I started lip-synching with "Losing My Religion." There were a few horrendous mistakes we made, but I own those mistakes. I'm embarrassed by them. I always say when I look back at anything I've ever done, it's with equal dollops of humiliation and triumphant glory.
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In fact, a lot of critics seemed to consider R.E.M. the first American music since the '60s to break out on its own and develop a stand-alone sound.
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A wise man once said, 'The skill in attending a party is knowing when it's time to leave.'
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By the time [of modern] generation was coming of age sexually, there was already this idea of safe sex. But that didn't exist for me. I came out of the free-swinging '60s and '70s. It was free love, baby. That was it. We had very liberal sex-ed classes in 1973, a yearlong environmental science class, and then Women's Lib and Gay Liberation. So it's insane to go from that to Reagan and AIDS. It was like, "What happened? Where's my future?"
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I stopped taking drugs [in 1983]. There were a lot of things that led up to it. One thing was that a lover died. An ex of mine died in a car wreck and I was really trashed when I found out about it and I couldn't cry. I woke up the next morning and I said, "That's it," so I quit then. It was horrible.
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Once I reached my 40s, I thought to myself that if I'm going to play live now, I need to really mean this. I can't go out and be a little bit, for one moment slovenly in my choices as a performer. I mean, these people have paid a lot of money to be here, they've been through the nightmare of getting here, starving themselves waiting for us to get on stage, so I'm going to give them what they came here for.
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For every great thing we did, there is a very public moment of falling on our faces. But everything that came through us as a band was a distinct vision of R.E.M.
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AIDS had landed and I was terrified. I was very scared, just as everyone was in the '80s. It was really hard to be sexually active and to sleep with men and with women and not feel you had a responsibility in terms of having safe sex.
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We don't get groupies.We get teenagers who want to read us their poetry.
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The only thing to fear is fearlessness.
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The whole point of the punk-rock thing was that "We're not special. We just have a voice."
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Be yourself. Follow your heart. I know it sounds obvious, but it's the best advice at anyone ever. Take advice from other people, but take from it what feels right for you.
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I was born in Georgia. That's where my grandparents-and all my people-are from. But my family traveled a great deal because my dad was in the army as a helicopter pilot.
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The punk-rock ethos was "Do it yourself. Anyone can do this. We're not sent from the heavens."
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The artwork for the record is kind of an homage to that. It's a collage, which rhymes with homage, I just realized. It's an homage to this kind of almost like a teenager's idea of what the future might look like, if he were using a Xerox machine and cut-and-pasting it together. Which is exactly what we did to come up with the artwork.
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When I write, I tend toward melancholy, and the few times that I've tried pure joy in music, it doesn't really work that well. The joy can be through catharsis. I think that's what I do well, and observation.
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I was doing that [a collaboration with Kurt Cobain] to try to save his life. The collaboration was me calling up as an excuse to reach out to this guy. He was in a really bad place.
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Love, love will be my strongest weapon.
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Everybody hurts sometimes Everybody cries.
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I was vegetarian, trying to eat from fast-food restaurants without meat. I didn't know how to eat properly and I was starving. I was adrenalized to the eyeballs from performing. I was afraid that I was sick with AIDS. We were playing five shows a week. I even went through a period of abstinence where I didn't drink and stopped having sex. Which is crazy. Maybe I'm answering too many questions at once here, but this is where my mind was at the age of 25.
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When I hear music as a fan, I see fields. I see landscapes. I close my eyes and see an entire universe that that music and the voice, or the narrative, create. A music video-and any other kind of visual reference-is created by someone else.
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I went through this difficult time [in the 1984] when we were making our third record where I kind of lost my mind. That's when the bulimia kicked in. And that's when I got really freaky.
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We're kind of an international phenomenon.
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It was '86. We were a big enough name and we had enough cache that MTV wanted to play us, so, along with Michael Jackson and Madonna, they played our upside-down, black-and-white, backward, single unedited footage of a rock quarry with orange letters over the top of it and called it art.