R.E.M. Quotes
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I really wanted to be on Six Feet Under as a corpse. That would be hysterical.
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So, we just kind of created our own thing and that's part of the beauty of Athens: is that it's so off the map and there's no way you could ever be the East Village or an L.A. scene or a San Francisco scene, that it just became its own thing.
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I came to New York for the first time with Peter Buck at age 19. We spent a week living out of a van on the street in front of a club in the West 60s called Hurrah. It's where Pylon played. I saw Klaus Nomi play there. And Michael Gira's band before he did Swans-they all wore cowboy boots and were so cool and had great hair. I was so jealous.
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Everybody hurts sometimes Everybody cries.
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We're kind of an international phenomenon.
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Links have become the suburbs of the real world.
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For me, as a music fan, visuals kind of steal away the purity of the song. My instinct is not to provide a visual to go with a piece of music. But here's MTV. It's really powerful.
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There was a point in the '80s when I looked out at my audience and I saw people that - were I not on the stage - they'd sooner slug me as they walked by me on the sidewalk. And I realized that I was way beyond the choir.
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I had to get a driver's license and drive to St. Louis to find the punk-rock scene that was happening there. And there was a punk-rock scene. It was sweet. It was real. It was like everywhere else in the county. It was a handful of people who were feeling the same pull, and, of course, it was like the Island of Misfit Toys in Rudolph the Red-Nosed Reindeer [1964]. Just the freaks, the fags, the fat girls, the unbelievable eccentrics.
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And I don't expect anyone can bring about a revolution in the way that Bob Dylan did - and really didn't - in the 1960s.
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There was never a golden era of American radio as far as I can tell.
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But we're very much an American band and that's that. I think that's part of the appeal outside of this country and it might be part of the reason people turned away from us within this country, because familiarity breeds contempt.
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Sometimes before we make a record I go back and listen to a few. It's equally humbling and uplifting.
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If you disagree with me, fine! Because that's the great thing about America, we can disagree!
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I'm kind of quoting Thurston [Moore] and Kim [Gordon] in saying that about not being great with addicts, because they are the ones who said it to me.
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I'm just not that fascinating a person to have had all those lives that I've written about.
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I'm not homosexual, I'm not hetrosexual, I'm just sexual.
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Be yourself. Follow your heart. I know it sounds obvious, but it's the best advice at anyone ever. Take advice from other people, but take from it what feels right for you.
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I think my apocalyptic feelings went deeper than [heavily influenced by Reagan and AIDS]. I'm really at peace with how afraid I am.
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I think there were early critics who wanted us to change the world because the Sex Pistols failed.
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Love, love will be my strongest weapon.
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I was a teenager, we were pretty much fully indoctrinated, thanks to sexual scare tactics. I remember so many public-health commercials with a B-actor in a fake alley background warning us to use protection or telling us the only real safe choice was abstinence. We were highly frightened of sex from day one. There was no free-swinging '90s.
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There is always something of the writer in the work but I don't think Melville had to be swallowed by a whale to write a great novel. If I had lived the lives of all the characters of the songs I've written, that would truly be an extraordinary story.
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The world of WONDERLAND is authentic, vibrant, and genuine. Stacey D’Erasmo explores the delight and terror of second chances. A great read!