R.E.M. Quotes
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When you meet a stranger, look at his shoes. Keep your money in your shoes.
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We toured that record for a year, which turned out to be the culmination of ten years of being constantly on the road. We were sick to death of touring.
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When I hear music as a fan, I see fields. I see landscapes. I close my eyes and see an entire universe that that music and the voice, or the narrative, create. A music video-and any other kind of visual reference-is created by someone else.
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I went through this difficult time [in the 1984] when we were making our third record where I kind of lost my mind. That's when the bulimia kicked in. And that's when I got really freaky.
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I'm tired of being this solemn poet of the masses, the enigma shrouded in a mystery.
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So, when you divide the world into music lovers, music fans and then those people who are just very casual about their music, it's wallpaper to them, it's elevator music, it's just the thing that's playing in the background that helps them through their day.
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Punk-rock records came out and you bought whatever you could find. But Devo didn't happen for another three years. Sex Pistols didn't tour the States until '78. At that time, for me, it was really about CBGB, Patti Smith, Talking Heads, the Ramones, and Television.
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Super casual music listeners. That's most of the people in the world. And you have to understand, that's why Top 40 radio exists. It's not there for people who seek out music and who love music.
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They always want me to play myself and that's a big snooze.
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When we first started, we were a band from Athens and that was so off the map.
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I was vulnerable every day. Every night that I stepped on stage I was laying myself open.
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Because the casual music listeners are the ones who turn on the radio and they don't really care what's playing, they just know that they kinda like it or it's easy to drive to or it's easy to sing along to or whatever.
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I was doing that [a collaboration with Kurt Cobain] to try to save his life. The collaboration was me calling up as an excuse to reach out to this guy. He was in a really bad place.
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But I think the one thing that I can say about us is that we're very consistent about certain things and part of that is our desire to do the very best work that we can and not rest on our laurels, or not allow formula to come into what we do.
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I am not an autobiographical writer. I'll take little elements here and there from things that I've actually experienced-counting eyelashes on a sleeping beauty, for example.
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They spoke truth and a lot of people listened.... that voice, Kurt we miss you.
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I went through a period where I was really tired of seeing and reading about myself.
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Everybody hurts sometimes Everybody cries.
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I don't find R.E.M. to be nihilistic. There is a constant undertone of joyous optimism. I'm not going to kill myself to Patti Smith or R.E.M.
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It was '86. We were a big enough name and we had enough cache that MTV wanted to play us, so, along with Michael Jackson and Madonna, they played our upside-down, black-and-white, backward, single unedited footage of a rock quarry with orange letters over the top of it and called it art.
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And I don't expect anyone can bring about a revolution in the way that Bob Dylan did - and really didn't - in the 1960s.
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I've always felt that sexuality is a really slippery thing. In this day and age, it tends to get categorized and labeled, and I think labels are for food. Canned food.
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So, we went from being an Athens band to being a Georgia band to being a Southern band to being an American band from the East Coast to being an American band and now we're kind of an international phenomenon.
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But we're very much an American band and that's that. I think that's part of the appeal outside of this country and it might be part of the reason people turned away from us within this country, because familiarity breeds contempt.