R.E.M. Quotes
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When I hear music as a fan, I see fields. I see landscapes. I close my eyes and see an entire universe that that music and the voice, or the narrative, create. A music video-and any other kind of visual reference-is created by someone else.
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I was born in Georgia. That's where my grandparents-and all my people-are from. But my family traveled a great deal because my dad was in the army as a helicopter pilot.
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If you disagree with me, fine! Because that's the great thing about America, we can disagree!
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You don't need to be talented. You don't even have to play the guitar to be a guitar player in a punk-rock band. So I, in a very naive and teenage way, said, "That's it. I'm going to be in a band."
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I went through this difficult time [in the 1984] when we were making our third record where I kind of lost my mind. That's when the bulimia kicked in. And that's when I got really freaky.
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When we first started, we were a band from Athens and that was so off the map.
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Super casual music listeners. That's most of the people in the world. And you have to understand, that's why Top 40 radio exists. It's not there for people who seek out music and who love music.
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We toured that record for a year, which turned out to be the culmination of ten years of being constantly on the road. We were sick to death of touring.
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I was doing that [a collaboration with Kurt Cobain] to try to save his life. The collaboration was me calling up as an excuse to reach out to this guy. He was in a really bad place.
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So, when you divide the world into music lovers, music fans and then those people who are just very casual about their music, it's wallpaper to them, it's elevator music, it's just the thing that's playing in the background that helps them through their day.
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They always want me to play myself and that's a big snooze.
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Punk-rock records came out and you bought whatever you could find. But Devo didn't happen for another three years. Sex Pistols didn't tour the States until '78. At that time, for me, it was really about CBGB, Patti Smith, Talking Heads, the Ramones, and Television.
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I don't find R.E.M. to be nihilistic. There is a constant undertone of joyous optimism. I'm not going to kill myself to Patti Smith or R.E.M.
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But I think the one thing that I can say about us is that we're very consistent about certain things and part of that is our desire to do the very best work that we can and not rest on our laurels, or not allow formula to come into what we do.
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I had to get a driver's license and drive to St. Louis to find the punk-rock scene that was happening there. And there was a punk-rock scene. It was sweet. It was real. It was like everywhere else in the county. It was a handful of people who were feeling the same pull, and, of course, it was like the Island of Misfit Toys in Rudolph the Red-Nosed Reindeer [1964]. Just the freaks, the fags, the fat girls, the unbelievable eccentrics.
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I went through a period where I was really tired of seeing and reading about myself.
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I was vulnerable every day. Every night that I stepped on stage I was laying myself open.
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So, we went from being an Athens band to being a Georgia band to being a Southern band to being an American band from the East Coast to being an American band and now we're kind of an international phenomenon.
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I am not an autobiographical writer. I'll take little elements here and there from things that I've actually experienced-counting eyelashes on a sleeping beauty, for example.
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We're kind of an international phenomenon.
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The whole punk ethic was do-it-yourself, and I've always been very literal, especially as a kid. When they said that anybody can do this, I was like, 'OK, that's me.'
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I'm kind of quoting Thurston [Moore] and Kim [Gordon] in saying that about not being great with addicts, because they are the ones who said it to me.
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I've always felt that sexuality is a really slippery thing. In this day and age, it tends to get categorized and labeled, and I think labels are for food. Canned food.
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They spoke truth and a lot of people listened.... that voice, Kurt we miss you.