Kevin Bacon Quotes
Part of being a man is learning to take responsibility for your successes and for your failures. You can't go blaming others or being jealous. Seeing somebody else's success as your failure is a cancerous way to live.
Quotes to Explore
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It is nothing to die. It is frightful not to live.
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Humanity will live as long as there are humans.
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Whatever your image is, it's probably not you, but it affords you the freedom to live up to it.
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I just try to live a really simple, natural life, because obviously, life has an impact on your voice.
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I think if we wish to live in any kind of a moral universe, we must hold the perpetrators of violence responsible for the violence they perpetrate. It's very simple. The criminal is responsible for the crime.
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Success is a completely abstract thing - it has no bearing on daily life, family matters, the matter of artistic creation, but it can affect grace, and if I lose that, I really have gained nothing from success.
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Everyone's like, 'Oh, you must live in L.A., the glamorous life,' and I really don't. I'm in a small house, in Pittsburgh, in the snow.
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I would love to do a live show with dancers and fashion and scenic elements - definitely bring my love of the theater to a concert-style performance.
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Russia and China, which have embraced autocratic capitalism, have attracted admirers and emulators by the seeming success of their strongman rule.
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In boxing, there are no bad guys or good guys. Just people trying to make a living and trying to live up to their pride and to try to become someone.
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We live in a free world, so everyone can say whatever.
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For me it's a simple sport and a simple way to live these seven or eight years of maximum sport.
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Success is as ice cold and lonely as the North Pole.
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I study a lot of philosophy. I want to be an example of how to enjoy this success, and that's exactly what I've done. I've enjoyed every moment.
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Head Start has been a key component of health, nutrition and early learning opportunities since the 1960s.
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I was already writing 'The Lost Symbol' when I started to realize 'The Da Vinci Code' would be big. The thing that happened to me and must happen to any writer who's had success is that I temporarily became very self-aware.
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Interviewing Rei Kawakubo in Tokyo and John Galliano in Paris, both for 'Pop' magazine, were huge for me, not just in learning about fashion and writing but about how little desire I had to be a critic/reporter/journalist/commentator so much as a kind of travel diarist.
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It's just unfortunate that a network only makes their profit off of live viewership because their hands are tied by advertisers. They may believe in the show and want it to continue, but they just unfortunately can't afford it.
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In my eyes, I think it's important that if you're doing something you're proud of and that is genuine and authentic, you have a responsibility to bring that to as many people as possible, just for the sheer reason that there are musicians out there who are manufacturing emotions that aren't genuine.
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I had been here five years already, training very hard, learning about the systems, the shuttle, the station systems. But, everything really became real when I started to work with them.
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Are we blasphemous in saying that 2-D is largely a thing of the past, and computer-generated animation is the present and future? It's all about creating a better experience for the viewer - and that includes 3-D.
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It is dreadful to see actors reproducing the same image constantly.
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Part of being a man is learning to take responsibility for your successes and for your failures. You can't go blaming others or being jealous. Seeing somebody else's success as your failure is a cancerous way to live.
