Kevin Bacon Quotes
With a lot of actors, you've got to chip through the surface to see who the real person is.

Quotes to Explore
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I've done quite a few things based on real events or real people, and I think that's always really interesting that you can read about them or, if you're lucky, you can meet them.
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I worked as a head cook at courthouses and high schools. I left it behind when I started getting into my music real heavy.
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You have another little drink, and I'll have another little drink, and maybe we can work up some real family feeling here.
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We're not that much smarter than we used to be, even though we have much more information - and that means the real skill now is learning how to pick out the useful information from all this noise.
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It's got to be harder in real life to win a World Cup. But depending on if you play World Class level on FIFA, it's going to be difficult to win in the video game, too.
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I have a real interest in baking. I'd love to go to culinary school. That's actually my plan: to graduate high school and go to culinary school.
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My whole thing is to entertain, make people laugh and to forget about the real world for awhile.
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I've always been a really really big Sheryl Crow fan. I just respect what she does in a way that she just remains true to her music and sort of has just been real. She isn't trying too hard ever.
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If we are to teach real peace in this world, and if we are to carry on a real war against war, we shall have to begin with the children.
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Once you are satisfied with your goal, it is the real happiness.
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I mean, it's weird because people lately have been coming up to me and going, 'Oh, my God. '300' is huge.' I'm like, 'Really? It's not done yet!'
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The group-effort sound in recording of 'Sea Lion' is like, you really hear all the people in the room and hear them interlocking. There's a real freight-train energy of all these people at the same time playing.
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Most of us can now record a whole series with the click of a button. We all have DVD players, and the rise of the DVD box-set means we watch this stuff in two, three-hour sessions. So there is this real appetite out there for lengthy, pretty intricate drama. All that is great news for writers.
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The real essence of work is concentrated energy.
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I think people are attracted to teaching because they want to make a real impact.
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I've made a professional reputation playing working-class, middle-class, American women. There's a real sense of stoicism and pragmatism and strength and lyricism of a woman like that.
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Dictators are ludicrous characters, and, you know, in my career and in my life, I've always enjoyed sort of inhabiting these ludicrous, larger-than-life characters that somehow exist in the real world.
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But I'm an adventurer. I like invention, I like discovery.
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The drive toward Life is protective, thoughtful, vulnerable, and invested in immaculate love. It is this last that marks the difference between a wise heart muddy with real life experiences in the trenches and a dry heart that functions on rote concepts alone.
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Whatever is original in my writing comes from my musical apprenticeship. I look for rhythm in words. I imagine words as if they were musical chords. Often I'll write something, read it, and find it musically unsatisfactory. There is a musical imperative in my choice of words.
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The one thing that concerts have done for me is given me the opportunity to get back to sort of do songs that I want to do. It's about enjoying yourself.
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When you get big, there's a tendency to get caught up in process and bureaucracy.
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With a lot of actors, you've got to chip through the surface to see who the real person is.