Kevin Bacon Quotes
The most challenging work and the best work I've ever done was in a thing I did for PBS called 'Lemon Sky', a play by Lanford Wilson. I think it's the rawest, most complex work that I've had to do, and the thing I'm most proud of.
Quotes to Explore
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I got a note from my father, who said that Success is wonderful, if you don't inhale. That was his own aphorism, and I think it's the very best thing he could have said to me or anyone else on the subject.
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I was this kid who had been raised in New York, and now all of a sudden, my mother decided that she was a Jewish divorcee and therefore she should be living in Miami Beach.
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We are not interested in the possibilities of defeat. They do not exist.
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I don't look at myself as suffering.
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I'm one of those pesky Brits.
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I remember 'Hannah Montana' came out, and I was so depressed, I started crying because I was like, 'I want to do that.'
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I think 'Trial & Retribution' as a brand can go on forever. Its joy is that it has, to an extent, a formula, which gives a comfort routine for viewers. But we allow our directors total autarchy in putting their personalities on their stories.
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I obtained eight years of elementary education in a two-room school, where I encountered a stern but engaging teacher who awakened my intellect with instruction that would seem rigorous today in many colleges. History figured large in the curriculum, exciting for me what was to become an enduring interest.
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I am a contradiction myself. I'm always looking for something that scares me because when I'm not scared, I'm not stimulated.
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Every designer needs a story. Mine is all about glamour because my family has been in the business of glamour for three generations. My grandfather Shamshuddin Khan started his embroidery and fabric-making business in the 1930s.
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We did a lot of those road trips, all the mandatory stuff that you should when you're a kid, like Mount Rushmore and the Grand Canyon and the Sequoias and the western coast.
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Only when I came to America did I think of myself as British.
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You can't do every movie - although I do a lot of them - and the thing I'm longing to do is... it's not that I think I'm funny... but I long to do a situation comedy.
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It's a trap I've fallen into earlier in my career - trying to be liked. Don't do it. When I watch TV and I see someone trying to make me like them, acting cute or quirky or goofy, I'm not impressed. Don't act like America's watching you. Just latch onto your character. Characters are flawed. Be unlikeable. Be flawed. Be a person.
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I can watch a movie and go, 'Oh, my god, that person is acting.' If you just listen to what the other person is saying, your response will always be genuine.
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In the field of biological weapons, there is almost no prospect of detecting a pathogen until it has been used in an attack.
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Things need shaking up politically, culturally.
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I never show anything to anybody until I've finished it.
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It must be the PGA Championship if it's August and you can sit down and talk to the heat or reach inside your shirt, where it's 110 degrees, and grab handfuls of humidity.
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I was never the most technical; I was never the best at one aspect at this sport, but what I was always good as was negating people's strengths and putting them in terrible situations where they're uncomfortable.
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My job is to create myself a career that I can go to sleep satisfied with what I'm doing.
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There's a bunch of different flavours of funny. It's all about the execution of it.
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We wanted people to 3-D-print anything, not just more 3-D printers.
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The most challenging work and the best work I've ever done was in a thing I did for PBS called 'Lemon Sky', a play by Lanford Wilson. I think it's the rawest, most complex work that I've had to do, and the thing I'm most proud of.
