Jim Morrison Quotes
Quotes to Explore
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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It would be great to make a movie that had the style of a great '30's film.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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The 1910 Edison film of 'Frankenstein' was itself a dead thing revived by technology.
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All my brother Eliot and I did as kids was film sketches.
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My name can raise money on a small-budget film.
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I make sure that whatever film I do, I enjoy my role.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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You can't be everybody's friend, you can't save the world, I learned this word: self-preservation. Once you do that, you can be friends with people, but how would you be a friend to anybody if you're not a friend to yourself.
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I missed so much of the Swinging Sixties by working. From 1961 to 1969, I got up at 4.30 A.M., a car came for me at 5.30 A.M., and I was taken to our studio at Teddington or Elstree, and we filmed until I got home at 9.30 P.M., five days a week.
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The destination you think is going to make you happy, doesn't.
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Dad told me that before I was born, he would put my mom's stomach up to the speaker and play Led Zeppelin.
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There's nothing like walking onto a Hollywood sound stage.
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Film spectators are quiet vampires.
