Miranda Lambert Quotes
Quotes to Explore
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Tori Amos had a major influence on how I craft words in a song.
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When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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The same way one tells a recipe, one tells a family history. Each one of us has our past locked inside.
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To me, there is nothing more soothing than the song of a mosquito that can't get through the mesh to bite you.
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I'm a professional fighter and like most professional fighters I have had difficulties with my hands in the past.
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The sense of one's past is so strong and forms our sense of self so strongly, it will always fascinate, elude and confuse me.
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I'm so suspicious of our own understanding of the past. I just think that your mind plays absolute tricks on you and fools you every minute of every day. And so when you're talking about the past, you're talking about something that never happened. At least it didn't happen the way you think it happened.
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Elvis was just like a big old kid. It was like he never got past 19, I don't think, in a lotta ways.
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Like, when I write a song, the song comes first before production. Everything is written on an acoustic guitar so you can strip away everything from it and have it be equally as entertaining and good without the bells and whistles.
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The unrecorded past is none other than our old friend, the tree in the primeval forest which fell without being heard.
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We Muslims in the West, like Jews before us, grapple with the same issues that Jews of the past did: integration or isolation, tradition or reform, intermarriage or intra-marriage.
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The more determinedly I exist, as myself, within the conditions of the time, the more clearly I shall hear the language of the past, the nearer I shall feel the glow of its life.
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It's funny, we all really, really got along. I don't know how it was in years past but this year, I was really with a good group of people. No one tried to sabotage each other or steal the other ones moments.
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Something even minor I do is going to be reported because of things that have happened in the past. You have to be aware of that.
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There's not a Sunday that goes past that I'm not excited to play this game. I feel as if I'm a lucky individual to have the opportunity to play this game, and when I do have the opportunity to finally play, you can bet your last dollar I will be excited to play.
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I did a song in eight minutes. I thought everybody could write songs that fast. But working with a lot of them, they don't.
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One of the most unsettling things about 'Monologue' is its long silences, in which the man sits alone, staring into the middle distance, without grip of his narrative, lost to the past.
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The Southern Ground warehouse is rocking and rolling in Atlanta, with a T-shirt shop and a leather shop; everything we're selling at our shows we're making or publishing ourselves.
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To verify images kills them, and it is always more enriching to imagine than to experience.
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I really feel every word to every song a lot more than I have in the past.
