Paula Abdul Quotes
Quotes to Explore
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I made my first movie when I was five.
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I retire every time I'm done with a movie. Then I go back. You know, I enjoy sleep. But I love to work; it's fun for me. As long as it continues to be fun, and I'm tolerated by the people around me, I will do it.
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Maybe I should pretend like I'm not insecure, but I really am. This movie is going to come out and... will people like it? Will they like Rey?
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I remember how much fun it was to pick out my lunchbox. My all-time favorite lunch box was from the movie 'Annie.' Also, I loved picking out school supplies! Trapper Keepers were my favorite.
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One of my main weaknesses is a good movie. I'll just bawl my eyes out.
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Truth be told, actually, my favorite director of the Movie Brats was not Scorsese. Loved him. But my favorite director of the Movie Brats was Brian de Palma. I actually met De Palma right after I'd done 'Reservoir Dogs,' and I was very beside myself.
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A lot of people don't know that I had a special appearance in 'Keratam'; that was my first Telugu film. I only shot for four to five days. When they called me, I said, 'I can't give 60 days for a movie. If you have something for one week or 10 days, then I can accommodate.'
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I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
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I would really like to do a straight action movie that's hardcore - heavy action, like 'The Expendables' or 'Fast Five.'
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After you do this for a while, you get used to things not working the way you want them to. There's a job you want, and you don't get it. There's a movie you'd like to get made, and it doesn't get made. You become inured to it.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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The only way to see a movie is in a big theater, on a big screen, with a big bag of popcorn.
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But I want to do good work, after this series.
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I have never been to a museum in Hong Kong, or a movie or a play. I've never gone club-hopping. I've never taken the tram to Victoria Peak.
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When we moved to L.A., I started going out for more commercials, and then one day they emailed me a movie script. The first thing I said was, 'No way. I love commercials.'
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When I stepped out into the bright sunlight from the darkness of the movie house, I had only two things on my mind: Paul Newman and a ride home.
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I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.
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I'm interested in animation. I actually feel like I've learned so much about the process how to make an animated movie.
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I saw 'Hairspray' at the Pantages in L.A. It came to the Pantages right before I did the movie, and just being in New York sometimes and seeing the marquees and everything like that, I'm like, 'I really, really have to go experience a Broadway play.'
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I've had a couple of long relationships. And I've had a couple of shorter relationships.
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A lot of directors prefer the solitude of the editing process, but I revel in the craziness of what a film set is.
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I've always been like this - insecure - because I'm striving for something that can't be attained. I don't just want to be OK at this: I want to be the best at it, and I've never achieved that in my mind.
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Everybody should pay some tax, just as everybody should vote.
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I am in Toronto, shooting a movie for NBC.
