Paula Abdul Quotes
Quotes to Explore
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If you have a block of ballistics gelatin and a high-speed camera, pretty soon somebody gets a gun!
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It does make me sad that there's a lot of great songs out there, and they're not going to see the light of day because they're competing with these tailgate songs.
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The same liberty that protects me also protects members of the Mafia.
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Today, our economy is about an economy of ideas.
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During a movie, chemistry is so important, and yet they just assume actors can fake their way through it. That doesn't always work.
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What we women need to do, instead of worrying about what we don't have, is just love what we do have.
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I wasn't interested at all in doing a documentary. I was not a public figure.
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Often you see big companies, big banks who are eager to embrace crushing regulatory burdens because they drive up everyone's costs.
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I remember fear and I remember the potential of nuclear war.
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I usually have more than one thing I'm working on at once - I've been working on three different novels. When I get stuck on one, I hop back and forth.
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By 1990 I went back to no gasoline; I was just riding around on my bike, taking the bus. I had a tiny little electric car that didn't go very far or very fast. People thought I'd lost my mind. Even my own family thought I'd lost my mind.
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You don't become the leading spinner of the team by just talking. You have to perform well consistently over a long period of time. I have bowled well and won games for India. That is why I am the No. 1 spinner. Every time I have taken the field, I have given my 100%.
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There is simply no room for racial, hurtful language spoken to your colleagues or anyone else.
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The Supreme Court of the United States... has validated the Nazi method of execution in... concentration camps, starving them to death.
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I never met a woman I didn't like. I love 'em all, in their different ways.
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There is something about building up a comradeship - that I still believe is the greatest of all feats - and sharing in the dangers with your company of peers. It's the intense effort, the giving of everything you've got. It's really a very pleasant sensation.
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My theory is that balance is key - nothing in excess.
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Everywhere else, we are someone else, but at home, we remove our masks.
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I think everybody has the ability to fall in love with a man or with a woman or a white person or a black person or a Jewish person or a Protestant person or whatever.
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I look up to a lot of old school drummers from the '70s, '80s, and '90s.
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The real question is: How do you react? What do you do next? Evade responsibilities? Bury yourself in work? What do you do? All three of my novels take up that question, although none gives an answer.
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Wage war on death. Live for love.
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Thousands of kids and parents come up to us and say, How do we get better as a singer?
