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I did enjoy Nashville a lot of the time, because I made really good friends who were really good songwriters, and they would be a joy to hang out with.
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The people that call me to play on records call me because they think that I will suit their music. And the people whose music I suit are by and large people that I'm a fan of.
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I try to find little things that you can do to move the song along and things that serve the song.
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I loved Mal Evans holding one note down on You Won't See Me from Rubber Soul.
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Tom would bring in songs, Mike would engineer, and we recorded about 30 songs.
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I think that with Bob Dylan around, we're living in an era where we have Whitman presenting new work, we have Dickens presenting new work, we have Yeats and Shakespeare presenting new work. It's that level.
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Working with Waylon Jennings and Willie Nelson takes you up another level.
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I'm playing 10 feet from Mike Campbell every night. I look across the stage, there's Howie. Tom's in the middle and we're playing all this stuff I love. It's great.
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I've always written songs since I was a kid - always.
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I was just writing songs because, if a song shows up, you've gotta write it. I didn't know what to do with them. I didn't have any faith in my voice.
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I quit college and neglected to tell my dad.
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I loved working with Bob Dylan.