Andrew Hozier-Byrne (Hozier) Quotes
I have a bit of a love affair with fairy tales and some of the ideas of Irish mythology, like Oscar Wilde and W.B. Yeats, who captured a lot of that very beautifully.
Quotes to Explore
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I mask every single day. I mask every morning - since I was 27 years old. I don't care the brand: it can be from the drugstore or high end. I can be walking my dog in the mask scaring children and people off, but it's my routine that I commit to every single day.
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In human years I am 29. In actress years I'm the ripe, promising age of 18 to 35. That's how it works here in Hollyweird.
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Nantucket was a Quaker-based culture, so they were not readers. There's a great Nantucket-based novel from the 19th century that Melville read for his research for 'Moby-Dick': 'Miriam Coffin' by Joseph Hart.
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I definitely look up to Veronica Roth, Suzanne Collins, and J.K. Rowling.
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I never wanted to look back on my career and be embarrassed about work that I chose to do.
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No one can make me work harder than I do, so I'm generally not interested in who I am competing with.
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My husband believes that he can make a difference. He loves people.
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A number of people in the United States, almost everyone, is using plastic cards to pay for things, but it's extremely difficult to accept these cards. So let's make it's easy and take more and more of the friction out as we can.
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There is something terribly morbid in the modern sympathy with pain. One should sympathise with the colour, the beauty, the joy of life. The less said about life's sores the better.
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My favorite part of the whole filmmaking process is working with a fantastic cinematographer, a fantastic actor or actors, and then just creating emotions and stories. I get so excited by that. That's the part I'm utterly addicted to.
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Any chance to get out and play live for some people and get out of the studio is nice.
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Turns out, I couldn't catch them - or even get close to them. I realized that sharks are amazing, beautiful animals who have absolutely no interest in checking me out.
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I'm personally more struck by visual things more than musical.
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I prefer the country life. I live in Kingston, but there is lots of trees.
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Orson Welles's second 'I-did-it' should show once and for all that film making, radio and the stage are three different guys better kept separated. 'The Magnificent Ambersons' is one of those versions of the richest family in town during the good old days.
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Through the principle of associated habit, the same movements of the face and eyes are practised, and can, indeed, hardly be avoided, whenever we know or believe that others are blaming, or too strongly praising, our moral conduct.
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Cities have sexes: London is a man, Paris a woman, and New York a well-adjusted transsexual.
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I never talked to anyone about my reading; the need to share came afterwords.
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One of the beauties of working in Shondaland is that they make an effort to get to know who you are, so they're not giving you something that's going to be so far out of your comfort zone.
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Polite beggary is too common.
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I love the fact we're still on the road. I was born to be a factory worker really, so for me the chance to get on stage at Wembley 30 years after we started is amazing.
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I was brought up in the same house I was born in, and I lived there until I left home as an adult. I also went to a Catholic school, which was full of Irish girls whose parents never split up, so everyone I knew had these big family set-ups.
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I been a cuppa Irish guys for 150 pounds.
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I have a bit of a love affair with fairy tales and some of the ideas of Irish mythology, like Oscar Wilde and W.B. Yeats, who captured a lot of that very beautifully.
