Andrew Hozier-Byrne (Hozier) Quotes
I have a bit of a love affair with fairy tales and some of the ideas of Irish mythology, like Oscar Wilde and W.B. Yeats, who captured a lot of that very beautifully.
Quotes to Explore
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I mask every single day. I mask every morning - since I was 27 years old. I don't care the brand: it can be from the drugstore or high end. I can be walking my dog in the mask scaring children and people off, but it's my routine that I commit to every single day.
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In human years I am 29. In actress years I'm the ripe, promising age of 18 to 35. That's how it works here in Hollyweird.
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Nantucket was a Quaker-based culture, so they were not readers. There's a great Nantucket-based novel from the 19th century that Melville read for his research for 'Moby-Dick': 'Miriam Coffin' by Joseph Hart.
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I definitely look up to Veronica Roth, Suzanne Collins, and J.K. Rowling.
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I never wanted to look back on my career and be embarrassed about work that I chose to do.
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No one can make me work harder than I do, so I'm generally not interested in who I am competing with.
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My husband believes that he can make a difference. He loves people.
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A number of people in the United States, almost everyone, is using plastic cards to pay for things, but it's extremely difficult to accept these cards. So let's make it's easy and take more and more of the friction out as we can.
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There is something terribly morbid in the modern sympathy with pain. One should sympathise with the colour, the beauty, the joy of life. The less said about life's sores the better.
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My favorite part of the whole filmmaking process is working with a fantastic cinematographer, a fantastic actor or actors, and then just creating emotions and stories. I get so excited by that. That's the part I'm utterly addicted to.
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Any chance to get out and play live for some people and get out of the studio is nice.
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Turns out, I couldn't catch them - or even get close to them. I realized that sharks are amazing, beautiful animals who have absolutely no interest in checking me out.
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I'm personally more struck by visual things more than musical.
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I prefer the country life. I live in Kingston, but there is lots of trees.
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Orson Welles's second 'I-did-it' should show once and for all that film making, radio and the stage are three different guys better kept separated. 'The Magnificent Ambersons' is one of those versions of the richest family in town during the good old days.
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Through the principle of associated habit, the same movements of the face and eyes are practised, and can, indeed, hardly be avoided, whenever we know or believe that others are blaming, or too strongly praising, our moral conduct.
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Cities have sexes: London is a man, Paris a woman, and New York a well-adjusted transsexual.
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I never talked to anyone about my reading; the need to share came afterwords.
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I remember seeing 'Falsettos' on the Tonys in '92 and being like, 'What the hell was that show?'
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There's no better feeling in the world than a warm pizza box on your lap.
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One thing that I've noticed about big families is that they usually break down into two camps: the talkers and the watchers.
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You have to realize that the customer really is king. People who go into more established businesses probably have to be careful not to be casual about that. When you have a brand-new business, and nobody knows who you are, you know you have to work really hard for your customers.
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I grew up middle class - my dad was a high school teacher; there were five kids in our family. We all shared a nine-hundred-square-foot home with one bathroom. That was exciting. And my wife is Irish Catholic and also very, very barely middle class.
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I have a bit of a love affair with fairy tales and some of the ideas of Irish mythology, like Oscar Wilde and W.B. Yeats, who captured a lot of that very beautifully.
